The Racket sub-series (1926-1952) contains advertising and publicity, financial, legal, production and direction records, and a screenplay. Based on Barlett Cormack's play of the same name, director Lewis Milestone and producer Howard Hughes released The Racket on June 30, 1928.

Advertising and publicity records include bound volumes of newspaper clippings, advertising instructions for publicity agencies and publishers, and an honorable mention from the Academy of Motion Picture Arts and Sciences. Financial records include rental and earning reports for the film. Legal records include Louis Wolheim’s actor agreement and the story’s film rights. The screenplay is a synopsis of the film from Bartlett Cormack. The production and direction records are primarily black-and-white photographic prints and negatives depicting the interior and exterior sets, and Lewis Milestone directing.

The Mating Call sub-series (1927-1929) is comprised of materials pertaining to the film's editing, legal, financial, production and direction, and story development records. Under director Lewis Milestone and producer Howard Hughes, The Mating Call was released on July 21, 1928 and starred Thomas Meighan, Renée Adorée, and Evelyn Brent. It was considered a lost film until 2016.

Editing records include multiple censor requests. Legal records include agreements for Renée Adorée and Evelyn Brent, Rex Beach’s agreement for story rights, and supporting actor contracts. The financial records are reports of domestic and international revenues. The production and direction records contain black-and-white photographic prints and a negative depicting principal and supporting cast, interior and exterior sets, and publicity images, as well as a production report ledger. The story development records include a manuscript copy of the story, a production script, and cutting and dialogue continuities.

The Hell’s Angels sub-series (1922-1965) contains material related to the development, production, and post-production of The Caddo Company film, Hell’s Angels. Both the silent and sound versions of the film are represented in the materials.

Materials include contracts and lawsuits, correspondence, financial, story development, and production and direction records, editing and special effects, aviation logs, and advertising, as well as musical scores for the silent version composed by Adolph Tandler and the sound version composed by Hugo Riesenfeld. Also included are black-and-white photographic prints and negatives and twenty-four miniature airplane models.

The Age for Love sub-series (1930-1932) is comprised of materials pertaining to the production process of The Caddo Company's October 17, 1931 release of The Age for Love. The sub-series includes advertising and publicity, administrative, distribution, editing, production and direction, and story development records, as well as film soundtracks. Materials include newspaper clippings, magazine reviews, leaflets, newspaper bulletins, correspondence, contracts, reports, and log books. Also included are black-and-white photographic prints and negatives depicting the film during its production, as well as set, director, and advertising images.

The Sky Devils sub-series (1930-1933) is comprised of materials pertaining to the production process of The Caddo Company's February 6, 1932 release of Sky Devils. The sub-series includes advertising and publicity, administrative, legal, production, direction, and story development records.

The advertising and publicity records include a list of scenes for inclusion in a trailer, production credits, newspaper clippings detailing the film's reception, and photographic prints. Administrative records contain correspondence pertaining to French distribution rights and Joseph Moncure March’s start date on the screenplay. Legal records contain domestic and foreign release contracts. Production and direction records include stage and sound logs and daily production reports. Story development records include screenplays, dialogue and cutting continuities, preliminary and production scripts, and continuities for adaptation. Also included are black-and-white photographic prints and a negative depicting the film during its production, as well as set, director, and advertising images.

The Scarface sub-series (1930-1963) is comprised of materials pertaining to the production process and censorship issues of The Caddo Company's April 9, 1932 release of Scarface, also known as Scarface: The Shame of the Nation. The materials in this sub-series consist of administrative, advertising and publicity, distribution, editing, legal, and production and direction, and story development records. Types of materials include newspaper clipping bound volumes, correspondence, forewards, contracts, and reports. Also included are black-and-white photographic prints and negatives depicting the film during its production, sets, director activities, and profile images of the principal and supporting cast used for publicity.

Scarface is based on Armitage Trail's novel of the same name. The film, loosely based on Al Capone, faced a censorship battle that Howard Hughes employed in the film's promotion.