The Burt and Wilma Bass photographs and programs mainly document the Bass’ involvement in the Jewish community of Las Vegas, Nevada, as well as their personal and professional lives. Images date from 1976 to 1987 and are entirely digital.
The Anna Dean Kepper Postcard Collection (approximately 1930-1977) contains postcards and photographic negatives depicting Southern Nevada and California. The images portray Scotty’s Castle in Death Valley, California, street scenes from Southern Nevada mining towns, and Nevada deserts and flora.
The Maria Burston Wheeler Papers date from approximately the 1850s to 1933 and record Maria Walker's childhood and voyage from Liverpool, England to Salt Lake City, Utah in the United States through her manuscript "My History." The manuscript details her and her family's trans-Atlantic journey as well as her own journey as a married woman, Maria Burston Wheeler, to Las Vegas, Nevada to establish the Mormon Fort located there. Her manuscript details daily life at the fort.
The Sidney R. Whitmore Collection (approximately 1885-1970) contains land deeds and other documents about Mount Diablo, Nevada; documents detailing parts of his family history; and eight framed paintings of landscapes and portraits.
The Apolonio Sauceda Scrapbooks (1973-2010) document Apolonio "Loney" Sauceda's acting career and his work with the Nevada Association for Latin Americans (NALA) in Las Vegas, Nevada. Two scrapbooks document Sauceda's career as an actor and contain photographs of Sauceda on set, at premieres, with other actors, and depict movie sets at well-known Las Vegas hotels and casinos in the 1980s and 1990s. Newspaper clippings accompany many of the photographs and provide details about locations, major actors, or the producers for each film. The third scrapbook is compiled of newspaper clippings that document the local Las Vegas, Nevada Latinx community and NALA events in the 1970s, ranging from political activism, labor strikes, beauty pageants, and religious gatherings.
Oral history interview with Ruthe Deskin conducted by Anthony Ferri on April 17, 2000 for the Communication and Community in Las Vegas research study. In this interview, Deskin talks about her upbringing in Yerington, Nevada, her degree in journalism from the University of Nevada, Reno (UNR), and her permanent move to Las Vegas, Nevada in 1945. She discusses her early jobs working for KENO and KLAS radio stations as an advertising and continuity editor, her public relations work for the Last Frontier Hotel, and then starting what would become her life work with Hank Greenspun's Las Vegas Sun newspaper in 1954. Later, she talks about her column "Memo to Hank" and Greenspun's "Where I Stand" column, about how Las Vegas changed over her fifty year tenure at the newspaper, politicians, racial inequality, and highlights of her career.
Interview with Bess Rosenberg by Jerry Masini on November 12, 1975. In this interview, Rosenberg describes coming to Las Vegas in 1942, and the desert landscape. She gives an in-depth recollection of the first atomic test, and talks about different weather and the seasons in Las Vegas. Rosenberg describes several clubs and hotels around downtown and the recreation at Lake Mead and Mount Charleston.
In 2002, Marty Walsh and her husband purchased a home in the John S. Park Neighborhood. Three aspects attracted them to their 1941-built home: the quality construction; the aesthetics and details of the house; and the "old-fashion human element" that she associated with her grandparents. Marty describes their relocation to Las Vegas after living for nine years in Ireland and her joy of discovering the John S. Park community. For her there is a neighborliness that they found in the form of the Neighborhood Watch. She feels the neighborhood still has work to do, but the gentrification has had splendid results as new "urbanites" replace original homeowners. From her artist point of view, she also provides thoughts about the impact the artist community of musicians, painters, and creative artists has had on the neighborhood. Even though she is relatively new to Las Vegas, she is well researched in the historic aspects of John S. Park location: once a fertile plot of land where