Oral history interview with Sanje Sedera conducted by Kristel Peralta, Cecilia Winchell, Ayrton Yamaguchi, and Stefani Evans on April 16, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project.

Sanje Sedera discusses growing up in Sri Lanka, formerly Ceylon, with his family. He shares his educational history, moving from Sri Lanka to Darwin, Northern Territory, Australia as a high schooler to learn English before immigrating to the United States to attend Idaho State University. Sedera discusses the political unrest and civil war that took place in Sri Lanka between the Tamil and Sinhalese people, and how he grew to appreciate political activism instilled in him by his paternal grandparents. Sedera shares his employment history working as a manager for K-Mart, an opportunity that brought him to Las Vegas, as well as his entrepreneurial pursuits of owning a mortgage business and becoming a realtor. He talks about the financial crisis of 2008 that led to losing his business, his attempts to run for public office, and how he helped to form Nevada's Asian American Democratic Caucus. Sedera concludes with a discussion of his Buddhist practice and how these philosophies have shaped his life.

Oral history interview with Charles Scott Emerson conducted by Claytee D. White on December 21, 2017 for the Remembering 1 October Oral History Project. In this interview, Charles Scott Emerson discusses his work with the American Red Cross and the disaster relief the organization provided during the aftermath of the October 2017 mass shooting in Las Vegas, Nevada. The interview begins with a discussion on Emerson's early life and career in Missouri and how he moved to Las Vegas in 2004. Emerson talks about the American Red Cross response plans and coordinated operations that are in place for when the community is faced with a disaster, going into specific detail on the community-wide response to the October 1, 2017 shooting. He gives a behind-the-scenes glimpse into how relief work is organized, using this interview as a chance to praise the hidden heroes of the October 2017 tragedy, including the people at the Family Assistance Center, the Attorney General's Office, the Driver's License Bureau, and the Coroner's Office, as well as mental health providers, child care workers, blood donors, and more. Throughout the interview, Emerson puts special emphasis on the importance of community in order to offer support in the aftermath of a tragedy as well as to prevent a man-made tragedy from occurring again.

The Charley Henchis Papers (approximately 1945-1987) document the career of international cabaret show producer Charley Henchis and the shows he produced in Las Vegas, Nevada and Beirut, Lebanon. Materials include Henchis' business files which includes correspondence, files on specialty acts, photographs, and press about Henchis. Shows represented in this collection includes La Parisienne which was performed at the Dunes Hotel in Las Vegas in 1960 before moving to Casino du Liban in Beirut. Other shows represented in this collection that were produced for Casino du Liban includes Mais Oui, S'il Vous Plait, Flash!, and Hello!. Additional materials include press and publicity files, music arrangements and scores, recordings of musical numbers used for the productions, and film footage of shows and production reels. Also included is film footage of the Charley Ballet, Henchis' dance troupe who were featured in his shows.

The Felicia Campbell Papers (approximately 1962-2020) contains material documenting the life and work of long-time UNLV English professor, Felicia Campbell. Materials include Campbell's personal and professional papers including correspondence, scholarly journals featuring her published articles, article drafts, newspaper clippings, photographs, personal diaries, and awards. Also included are materials documenting Campbell's discrimination lawsuit against UNLV in the 1970s regarding equal pay for tenured female faculty.

The Larry Fotine Music Collection (approximately 1940-2017) contains the complete library of composer, jazz band leader, and composer for television Larry Fotine. Materials include manuscript scores, printed sheet music of works by Fotine, ASCAP agreements and contracts, photographs, recordings (both published recordings and archival recordings), correspondence, and books by Fotine, and memorabilia. Fotine directed his own bands beginning in the 1930s, with many million-plus seller recordings. He composed over 300 songs, including collaboration with Duke Ellington (“I Ain’t Got Nothin’ but the Blues”), and arranged music for Sammy Kaye’s band (1940-1945), Blue Barron and Art Mooney (1945-1947), and Lawrence Welk (1958-1960). Fotine composed music for the "Buttons and Rusty" cartoon shows at the end of his career in the 1980s. There is an item-level inventory available upon request.

The Baneberry Nuclear Test Trial Records (1969-1989) contain documents of a federal court case regarding a 1970 Nevada Test Site nuclear test and the resultant radioactive cloud which may have exposed and subsequently injured the test site workers. The consolidated suits, William Nunamaker vs. the United States and Harley Roberts vs. the United States, came to trial January 1979, in Federal District Court, Las Vegas, U.S. District Judge Roger Foley presiding. The materials in the collection consist of court documents, such as transcripts of the trial, briefs, findings and statements, an appeal, orders, defense and plaintiff exhibits, and indices to the exhibits and witnesses as well as a glossary of terms.

The Artemus W. Ham Family Papers (1857-1970) contain postcards written by family members, newspaper clippings about the Ham family, and a Nevada Senate Concurrent Resolution memorializing Artemus W. Ham, Sr. Also included are genealogy notes, a commencement program from Michigan Law School, and membership cards of Artemus W. Ham, Sr.