The collection is comprised of drawings (1950-1990) completed by American architect Martin Stern and/or his architectural firm, Martin Stern Jr., AIA Architect and Associates, and contains 400 cubic feet of materials including 710 drawings from over 300 different projects involving over 100 buildings. Stern’s work focused on the resort centers of Las Vegas, Nevada; Reno, Nevada; Lake Tahoe, Stateline, Nevada; and Atlantic City, New Jersey. The materials feature hand-drawn architectural drawings, ranging from pencil and ink on tracing paper preliminary sketches to ink on Mylar (TM) construction documents, and a number of artist’s renderings, used for presentations and promotional materials. The drawings also contain work from a number of consultants, engineers, and other architects who collaborated on the development of the various projects. The collection includes architectural drawings for: hotels, casinos, integrated casino resorts, office towers, multi-family residential developments, and custom single-family homes.
Archival Collection
Brad Friedmutter is the architect behind a number of Steve Wynn’s prominent casinos in Las Vegas, Nevada and Atlantic City, New Jersey. He obtained his degree in architecture in 1973 from the Cooper Union School of Architecture in lower Manhattan and worked on a number of smaller projects before connecting with Steve Wynn. After meeting the famous Vegas tycoon, Friedmutter built a number of well-known casinos, like the Golden Nugget and the Mirage. In this interview, he discusses the development of his numerous projects, explains his process for starting and completing architectural projects, and the future of urban planning and casino design.
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Architect Paul Senzaki, and artist-illustrator Charlie White III recall their experiences of working in Las Vegas: Paul on Treasure Island, The Palms, Fremont Street Experience, and World Market Center and Charlie on Treasure Island and its successor, TI; New York New York. Architectural historian Alan Hess, who is an expert on Las Vegas architecture, offers historical context and asks pertinent questions. While this interview touches on several iconic Las Vegas buildings, the conversation mostly details why and how Steve Wynn's Treasure Island involved the labors of artists, illustrators, art directors, and designers of stage and screen as well as the those of architects, contractors, planners, and subcontractors.
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Mixed Content
Jane Radoff?s sophisticated eye and creative energy follow her wherever she goes. Her interior designs have anonymously touched most all who have walked through many of the Strip casinos and hotels. Her working partnership with interior designer Roger Thomas for Steve Wynn properties are among the most iconic of recent era. Born 1940 in Pittsburgh, PA, to Adelaide and Meyer Sachs, Jane was destined to lead a colorful life. Her mother was a local radio/TV personality with her own show and her father was successful real estate entrepreneur. Jane attended the University of Michigan where she honed her design skills. Before moving to Nevada, Jane?s career path included Restaurant Associates, a short stint as a girl Friday for Johnny Carson, and freelance product design while starting a family. Then in 1978, her husband William ?Bill? Radoff accepted a purchasing director position from Billy Weinberger and Neil Smythe at Caesars. With her signature wry humor, she reflects on her early observations of Las Vegas, and eventually working with Roger Thomas. In time, the duo worked together to bring groundbreaking interiors to the Strip, primarily with Steve Wynn. As most Jewish transplants, the Radoffs first belonged to Temple Beth Sholom. Later she was the interior inspiration for Congregation Ner Tamid where Jon Sparer did the architectural design. She is a quiet icon of Las Vegas?s turn to elegance and warmth in design of public spaces.
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