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Fiol, Raymonde, 1936-

Raymonde "Ray" Fiol was born August 22, 1936 in Germany. A Jewish Holocaust survivor whose parents were killed in Auschwitz, Fiol was hidden by a Christian family of Resistance fighters during her childhood in Nazi-occupied Paris, France. She married American serviceman Phil Fiol and left Paris in 1957. The couple lived in New York City, New York where she worked in inventory control. Fiol retired to Las Vegas, Nevada around 2003 and became active in the local Holocaust Survivors Group.

Person

Transcript of interview with Raymonde Fiol by Barbara Tabach, August 12, 2015

Date

2015-08-12

Description

In this interview, Fiol discusses her experience as a a hidden child in the Holocaust and her family's history. She also talks about her involvement with the Las Vegas Holocaust survivors group.

Raymonde "Ray" Fiol is president of the Holocaust Survivors Group of Southern Nevada. A Jewish Holocaust survivor whose parents were killed in Auschwitz, Fiol was hidden by a Christian family of Resistance fighters during her childhood in Nazi-occupied Paris, France. She married American serviceman Phil Fiol and left Paris in 1957. The couple lived in New York City where she worked in inventory control. She retired to Las Vegas, Nevada around 2003 and became active in the local Holocaust Survivors Group. In 2007, she became president of the organization, which provides essential services to Holocaust survivors and helps them share their stories. Fiol is also a member of the Nevada Governor?s Advisory Council on Education Relating to the Holocaust and the coordinating council of Shoah International. Her dedication to preserving the memory of the Holocaust and caring for survivors earned her the Nevada Senior Citizen of the Year award from the Nevada Delegation of the National Silver Haired Congress and the Aging Services Directors Organization in 2014, and in 2013 she was named Mensch Volunteer of the Year by the Jewish Federation of Las Vegas. In this interview, Ray reflects upon her traumatic childhood experiences, and shares how she learned details of her family?s history from a woman in France who had researched the destiny of the local Jewish community. She also discusses her involvement with the survivors group, and the positive impacts of its outreach activities, as well as goals to ensure future generations learn about, and from, the Holocaust.

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Transcript of interview with Norma Morrow Zuckerman by Barbara Tabach, April 18, 2016 & March 13, 2017

Date

2016-04-18
2017-03-13

Description

Norma Morrow Zuckerman is the driving force behind the Jewish Repertory Theatre of Nevada [JRTN], an organization she co-founded with Charlene Sher in 2010. The endeavor coincided with Norma’s pursuit of an MFA at UNLV a couple of years prior. With the commitment to her studies and to bring professional Jewish theatrical performances to Las Vegas, her energetic personality intensified. In 2007, she performed in The Diary of Anne Frank and noted the audience was supporting Jewish Family Services Agency. Norma could sense the community’s eagerness for professional theatre and she was just the one to deliver it. Over the following years, JRTN produced an array of Jewish-themed and acted plays. Since then she tries to bring The Diary of Anne Frank to the stage annually and finds partners to bring 1400 eighth graders to the performance. By 2012, her commute between Los Angeles, where she is a garment designer/manufacturer with her husband Eugene, and Las Vegas had become routine and her passion for professional theatre in Las Vegas increased. This was the year that The Smith Center for Performing Arts opened. The first theatrical production was Golda’s Balcony, a one-woman drama starring Tovah Feldshuh. It was the spectacular co-promotion by Norma’s JRTN and the Smith Center. Norma was smitten with the theatre from a young age and studied with some of the best acting coaches—Milton Kastelas, Stella Adler, Wynn Handman. In this oral history she recalls the people who have helped her, the performances that have charmed audiences and the value of live theatre.

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