Copyright & Fair-use Agreement
UNLV Special Collections provides copies of materials to facilitate private study, scholarship, or research. Material not in the public domain may be used according to fair use of copyrighted materials as defined by copyright law. Please cite us.
Please note that UNLV may not own the copyright to these materials and cannot provide permission to publish or distribute materials when UNLV is not the copyright holder. The user is solely responsible for determining the copyright status of materials and obtaining permission to use material from the copyright holder and for determining whether any permissions relating to any other rights are necessary for the intended use, and for obtaining all required permissions beyond that allowed by fair use.
Read more about our reproduction and use policy.
I agree.Information
Digital ID
Permalink
Details
Member of
More Info
Rights
Digital Provenance
Publisher
Transcription
9H W B M m m 1 1 W.V < p s .’^Ci \& 13 We nacl araggecr lire man s a c s u.p through m e ira-grant trails of the chaparral and had spilled its contents on the floor of our little high nouae u* a s. v « i- . And our Yellow Cat was there waiting to see what the mail sack had brought us, ana „ ~ that maybe, as it som etim es hap- The P a s s in g o j there would be som ething a Great to bother us and that might be too American Artist deep for us to fathom. And that ? we might stand In need o f the lore o f Egypt. And so, our Yellow Cat r t o o O jr T t n n s 7 ® low coat o f wisdom, ready as he always is, to render «c .uu «o<l tot». P » » ? > " “ J ™ b u ..t... weld. K f f were able to give In t h e ancient throngh the long ledge has 8in“ Well, things went rather centuries to Yellow c ft 8pen, and our quietly with the ma . on the hearth in the Yellow Cat had gone to . ®L, n0 doubt, that there warmth of the wood fire, thinking, q£ h,8 wl8. would be nothing to « U to when< all 0t a eud-- w dom from the m y fe iie s n here, we shouted. ketrv of the American Indians Is ranked high In art, den< we shouted, here, . ” 7r " H ere t8 a message and the great authorities on the arts ars on record Js something to cause u f the Faithful, wo sayingthat “ the basket work o f the Washoe Indians I. from a m e m b e r ^ o t t h e I J e r f c a n artist has the most exquisite end artistic to the wor said, which te ‘ a w mystical Beyond, lear- 1m l D at-slla-lee was the meet wonderful o f H the p a w d from this world m to the m> W ashoe basket weavers. And now she n<) ™ ' ing us all the c , was the artist a woman, tireless hands are folded. Her feet wander ™ ( So? said our Yellow Cat. ana was In the Valley o f the Eagles where her eyes first• ® ^ and what was her ’ answered. She was a the light of day and where ' X Her na® « were pitched since time ong a voices calling to her, woman o |® ^ where she was bo-u. and with When Dat-so-la-lee heard v o i c e s ^ * ^ ^ the Eagles. ,n tho Big Sleep from and she knew that * er “ f £ ™ ; £ g Grounds. she asked «g» awake until Gabriel winds his horn s S s s x s t a i s r i s s r s - J W . 1s r s a s i ss-s ss a - - - ** -*“ » — ? The r e , ________________ ? dtun Bureau would uat.30-Ia-lee m l , and tint r " s i s s - r s - j : r r x s . - the th l»g . t b i l C W " « ? » “ «> *hA Indian Bureau would do? we asked. ^ O u r Yellow Cat gave no answer. Instead there was a faraway look in his amber eyes— a look that seemed X s e l the forgotten centuries of time passing In ghost- , y review with all the wrongs and errors o f thpaghUess time wrapped to^thelj^nieted J gld s. ^ ^ ^ m m m * syoi iiaiiKiI 1 SB mPBmS mmm. mmi