Information
Digital ID
ent001525-032
UNLV Special Collections provides copies of materials to facilitate private study, scholarship, or research. Material not in the public domain may be used according to fair use of copyrighted materials as defined by copyright law. Please cite us.
Please note that UNLV may not own the copyright to these materials and cannot provide permission to publish or distribute materials when UNLV is not the copyright holder. The user is solely responsible for determining the copyright status of materials and obtaining permission to use material from the copyright holder and for determining whether any permissions relating to any other rights are necessary for the intended use, and for obtaining all required permissions beyond that allowed by fair use.
Read more about our reproduction and use policy.
I agree.8l CONTINUED: 30. LANIER 1*11 give him a better break than you gave your husbandI DENA It wasn?╟╓t me, Michael. I didn?╟╓t kill Nick. LANIER Then your boy friend did it for you ?╟÷ though a man like Steber would?╟╓ve handled a sap a little better. Unless he faked it to make it look amateurish. DENA He did, Michael. He planned it all. LANIER (starts away) Then he?╟╓s the one I want to seel DENA (grabs his arm) What about me? LANIER You just have to sell it to the police. DENA Michael, get me out of this! LANIER You?╟╓re in so deep, baby, only a prayer could get you out. Maybe I?╟╓ll say one for you. He walks away from her as De Carlo comes into scene in b.g. DISSOLVE TO: 82 INT. DAM - DAY - MONTAGE A SERIES OF CUTS of Lanier walking through scene within the dam to show the generators, the revolving shaft, the tiled tunnel, the stairways $ these scenes should give the sense of progression as though Lanier were heading for an objec- tive.