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Digital ID
ent001521-054
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I agree.43- 63 BACK TO SCENE 63 She:bo/s freeze, go for their guns. 64 POV SHOT 64 The;; door opens only slightly.* stays. 65 ' WIDER ANGIE 65 To see Kelly and Scott looking at the;door. Then, Kelly tosses Scott the code book. Scott puts it under a cushion on a couch. The CAMERA PANS SLOWLY to the door, HOLDS. LONG BEAT, then suddenly the door is kicked ipen. WHAT IT SEES is MR. and MRS. STUTMAN. He is GERSON, she is SHEILA. He is a lovely, slightly round gentleman in his early fifties, with an elk's tooth at the end of his gold vest chain. She is a buxom and tall (and really too , much for Gerson to handle) lady in her late twenties. They are newly-weds. Gerson has just kicked the door open with the foot. Now he goes to hoist her up to carry her over the threshold. He can't quite make it, so that she must' help him in order that they don't both fall on their face. This she does by using one of her legs on the floor as a, . balancing point ?╟÷ the other Gerson holds in his embrace. They, thereby, are propelled swiftly into the room. Sheila grabs a chair and swings into it. Sprawls. Gerson is a little unhappy. GERSON I didn't quite make it, did I? SHEILA ;I didn't marry you for your muscles, Cerson. You know that, dear. Gerson looks around the room.;; GERSON Real nice room, Sheila. 66 66 ,PANNING SHOT 66 Of the. .room, Scott and Kelly are hot in evidence. Twin beds. SHEILA'S VOICE (o.s.) You promised me a canopied bed, Gerson. (CONTINUED)