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ent001125-022
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I agree.fR(Mi PRESS DEPT. WIU1AM MORRIS AGENCY, INC, page 3 Pi^eMonitoiy t*u&blings of her present smash-hit as a supper-club performer were heard 2 years ago when she headlined the bill at Las Vegas1 Sahara Hafcdl* to capacity audiences and rave reviews. She saft.g;brilliantly to a captive group of impressed- night clubbers, she followed this with ^qual success at the Edgevater Beach Hotel in Chicago, but it was not until the autumn of 1954 that she thought seriously of Supperclub appearances as a very specialized form of entertainment. Her forays at Las Vegas amd in Chicago had been as Marguerite Piazza, opera and concert and TV star, .^nd that had been successful, as a pot-pourri of song, sung by a beautiful girl. But in tie act in which she made her supper- clvb debut proper in January 1955 at the Cotillion Room, Marguerite presented a new concept of a supper-club act - a self-contained show, Wopj^g with a male dancer amd a guitarist, it built steadily through 37 minutes of constant singing, dancing, change of mood, pace and color to a smash crescendo with La Piazza, slit-shirt, pink satin form-fitting strapless sheath doirg a Now Orleans jazz group that had the customers on the er^ces of their chairs. Staged by Herb Ross, and with special material by Irvin Graham, it started with lyric Italian songs sung by Marguerite in ? fjolumhine costume, proceeded to a group of pop standards and special material in which she wore a red velvet gown with clee^ decolletage, and ended in the New Orleans jazz group climaxed by a frentic interpretation of "When the Saints Go Marching In", that involved the whole orchestra led by Marguerite in a jubilant procession around the rocking room. Pictures of her in the midst of this truly "Grande Finale" hit papers (more)