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fill!; you fozme' i " ' " ^ ;* so*right ' . - x - mmm. MMH '?╟≤ |V^,C* ide out and you showed me ooe that stole my heart away^i I my heart and soul is thinking ver be anotherIff iflff the way that I feel inside, : tide out and you showed me ut,' ?╟Ñ//( ?╟╓ t 'one that stole my heart away r /neinside outand you lUtXX, -i Stf ?╟╓ ; one that stole my heart away rt away) p 'tole my heart away) one that stole my heart away )le my heart away)?╟≤ oustolemyheart away) i i one.that stole my heart away t away (Begin Fade) > my heart away) e only one that stole my heart* MUSIC (ASCAP) and, . . C. INC. (BMI) ROCKMAN MUSIC (ASCAP) ?√ß \ .LASIO. INC. el Richie and David Foster; RS: Larry Fergusson, and Calvin HarrisX lumberto Gatica ANT: Brenda Harvey-Richie I: Rita Leigh ENGINEER: ferry Christian { INEERS^Law, Karen Siegel E til & Lionel Richie and NIS: Jeremy Lubbock U:Lionel Richie , SSiGllilAR:David Foster inson tatheX0. traeLBaker. ' i: Lionel Richie and WITH THE NIGHT Richie, Cynthia Weil city street was beating ons turned the dark to day -v to think of sleeping ; it before the magic got away with the night , adows ?√ß %the morning light |: gyrunning with the night) iso good girl, heads were he town ooh, we let it all y, is?we?╟╓were burning < go all the way and we never 1 with the night 'adows til the morning lights?╟≤ ?√ßj g, running with the night)* we you and me d wild and free t, we laid it down ot, we took the town idust you and I, girl it was so right, so right 1 ?√ß (We were runnihg), Oh (running;with the night) % Just you!and ,1 (we were running). :\We*were running' yPlaying in the shadows ?╟≤ Just you and I, girl it was so right ?║(Begin Fade) HOh I love it : - ^ We were running with the night ( Playing in the shadows ((Just you and I, girl it was so right IffilWe were running) Girl so right (running with the night) So right.*,. Fade to End ?╟ $??1983 BROCKMAN MUSIC (ASCAP), . and DYAD MUSIC LTD. (BMI) ADMINISTERED BY BROCKMAN MUSjC.(ASCAP) and DYAD MUSIC LTD. (BMI)p PR00UCE0 BY: L/one/ Richie and James Anthony Carmichael ?√ß RECORDING AND MIXING ENGINEER:Ca/wn Harris ^ PHQOUCTION ASSISTANT: Brenda Harvey-Richie ?╟≤CREATIVE ASSISTANT:fl/Ya Leigh 1 SECOND RECORDING ENGINEERS: David Egerton, Mark Ettel, Steve Crimmel tiSECONO MIXING ENGINEERS:Fred Law, Karen Siegel //RHYTHM ARRANGEMENTS ^'.LionelRichie and XJames Anthony Carmichael gVOCAL ARRANGEMENTS Bl. Lionel Richie BASS: Joe Chemay ?√ß JIANO: John Hobbs - SYNTHESIZER & VOCODER:/W/c/7ae/ Boddicker ilnm: Jeff Porcaro GUITARvCarlos Rios -?╟≤^GUITAR SOLO:Sfeve Lukather ?╟ . PERCUSSION: Paulinho Da Costa i BACKGROUND VOCALS: Lionel Richie, Richard Marx, Deborah Thomas, David Cochrane HELLO ?╟  1 By: Lionel Richie /: A/ Fve been alone with you inside my head And in my dreams I Ve kissed your lips, a ?╟  'p* .thousand times ' r \ / sometimes see you pass outside my door : \ 1 Hello, Is it me you're looking for? : I can see it in your eyes I I can see it in your smile 'J You're all I've ever wanted, (and) my arms are ** v open wide < J > 'Cause you know just what to say * I And you know just what to do i And I want to tell you so much, I love you... X. . 5 / long to see the sunlight in your hair And tell you time and time again how much : I care XSometimes I feel my heart will overflow ^Hello, l've just got to let you know ?√ß'Cause I wonder where you are ?√ßAnd I wonder what you do Are you somewhere feeling lonely tOris someone loving you? lell me how to win your heart For i haven't got a clue * But let me start by saying, I love you... (Hello?is it me you're looking for? 'Cause I wonder where you are And I wonder what you do Are you somewhere feeling lonely )Or is someone loving you? fTell me how to win your heart (For I haven't got a clue ?╟╓ But let me start by saying.. .1 love you f??1983 BROCKMAN MUSIC (ASCAP) ?╟≤ ADMINISTERED BY BROCKMAN MUSIC (ASCAP) ^PRODUCED BY: Uonel Richie and James Anthony Carmichael /RECORDING AND MIXING ENGINEER:Ca/w/7 Harris PRODUCTION ASSISTANT:Srem/a Harvey-Richie CREATIVE ASSISTANT:Rita Leigh SECOND RECORDING ENGINEER: J/Yn Cassell SECOND MIXING ENGINEERS?╟╓.freJ Law, Karen Siegel RHYTHM ARRANGEMENTS BY: Lionel Richie and VOCAL ARRANGEMENTS W.Uonel Richie PIANO: Lionel Richie TENDER RHODES:Reginald "Sonny" Burke SYNTHESIZERS: Michael Boddicker ACOUSTIC Mm-Tim May ELECTRIC GUITAR:Darrell Jones DRUMS \PaulLeim BASS GUITAR: Joe Chemay GUITAR: Louie Shelton CONCJIIMASTEH: Harry Bluestone All Lyrics Used By Permission. All Rights Reserved. SPECIAL THANKS: To my wife, Brenda, for your love, support and magic touch that makes everything come together. To our family, Lyonel, Alberta and Deborah Richie, Adelaide Foster,. Marshall, Lucille and Stephen Harvey, thanks for the love, encouragement and concern which sustains us always. To James Carmichael, thank you for your mind, body and soul...you gave me your all. To Cal Harris, for years of dedication, patience (smile) and for always being there to ?╟úfix it in the mix!' To Dr. Lloyd Byron Grieg, my "dialect coach" on "ALL NIGHT LONG," and friend, thank you for your help and patience oris that patients? To Berry Gordy, formany years at the Motown School. You are by far the master teacher. To Jay Lasker, you are "Truly" the number one marketing man. Thanks! To Ken Kragen, thanks, for the time, effort and love you have devoted to my career. To Joe Layton, you made my first step so easy. You are a priceless gem. To Skip Miller, Marlene Reyes, Miller London and the entire Motown Promotional Staff, thank you. To Suzee Ikeda, we couldn't have done the album without you. Thanks once again. To my attorneys, Jay Cooper and Ronnie Dashev, thanks for being there and for your expert advice and guidance. To my business manager, Leonard Freedman, thanks for taking care of my money. To Suzanne de Passe and Tony Jones, I'm glad you're part of my family. To Howard Rose, glad, to have you on my team! To Bob Rafelson and Michael Nesmith, it was a oure oleasureworkina with To Bill Whitten, your costumes are dynamite, your creativity superb, your friendship very special. \ To Bob Jones, thanks for your support and for always being there. To Brenda Boyce, for cracking the whip, thanks ...it'll be in your office tomorrow. To Rita Leigh, you're the icing on the cake, thanks. To Cynthia Weil, thanks for being so flexible. I enjoyed working with you. To David Foster, I really enjoyed working with you. You made it painless. To Jeff Porcaro, Steve Lukather, Paulinho Da Costa and Greg Phillinganes, your talents are unbelievable and I really appreciate your contributions to this album. To Ruth Robinson, thank you for your continued support and friendship. To Darrell Jones, David Cochrane, Deborah Thomas and Richard Marx, once again, thank you for your work, time and effort. To Phil and Mindy Caston, I couldn't have made it without you. Thank you.: To all the talented musicians, string and horn players... thank you. To the Ocean Way gang: Allen "Tube" Sides, David Egerton, Mark Ettel, Steve Crimmel, Maggie Earl, Jay Kaufman, Tony Chiappa and Mike Rodgers, thanks. In appreciation to the Motown Family, * Jane Clark, Johnny Lee, Gene Shelton, the gang at Hitsville Studios, the gang at Kragen and Company: Sandie Campbell, Lynne DeBe Branch, Michael Brokaw, Patrick Snyder and Harriet Sternberg; Adams, Ginni Brezina, Melinda Chatman, Jimmy Cohen, John Coulter, Elvira Cruz, Rhoda Dr Greig Family, Howard Kenny, Ann Short, Suzanne Stanford, Wilbert Terrell, ; Rufina Zaragoza, and to all my fans, my special thanks for your love and support; and most of all, to my co- writer, THE GOOD MASTER, thank you. DEDICATION / dedicate this album to BARBARA ALLEYNE, my "sister," friend and confidante. Your kindness, interest, love, support and never-ending faith and enthusiasm have always been there forme, to lean on. I love you and thank you with all my heart. ?½ 1983 Motown Record Corporation, ?? 1983 Motown