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SENT BYWerox Telecopier 7021 110-11-95 I 13 = 52 ; BALDY3A/SANDCASTLE- 2136566556;# JRJ PRODUCTIONS 83 5 North Orlando Avenue Los Angeles, California 90069 (213) 653-5577 Office (213) 653-2514 Fax October 11, 1995 Terunga Komori WPP Media inc. SENT VIA FACSIMILE Fax No: 81-424 77-65641 Pages Sent: 3 Dear Terunga Subject; Questionnaire I have tried to answer your questionnaire to the best pf my ability; however, in some instances I was unsure of the intent due to "wording" on the nature of the question. 1. 2. 3, "The point of seeing the new stage show11 I think would be to experience the pure entertainment of a spectacular revbe of the highest standard* T have seen and created many shows of this kind in Paris, Las Vegas, London, the Bahamas, Miami, etc., and I feel this new show at SandCastle is in a league with the Best, To the existing effects such as incredible magic with tigers, rain on stage (with real water), $nd a ballerina descending from the ceiling on a dazzling "Star-burst", new effects have been added including parley Davidson Motorcycles, a staircase of lights almost three [times as high as the original staircase, breathtaking fibernoptic scenery with literally millions of tiny lights that can cihange color and patterns, a new sound system of the latest technology, and state-of-the-art theatrical lighting jusing Cyber-lights and Intella-beams to mention a few. Also the new show is more rapidly paced and has greater variety sio the audience is entertained with constantly changing imaged. It would honestly be almost impossible for me to sayj what scene I like best. Each segment was created for its own particular reasons so like a giant puzzle, it would successfully fit into place to complete the whole "Picture", For instance, I like the Can-Can for it's sense of period style, color, and impact; "Rio" for its choreography, ehergy, and music; the Tango for its austere simplicity and stylja; the last number in the Finale for its high glamour and Strong emotion. For me, the choreographic Initially, when I am thinking choreographic "style" in mind, music I build in sections of progress is very complex. about a new number I have a Later, when I am arranging the general staging to gp with