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ent000972-035
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I agree.si have obtained about *.I do not want a show of violence for violence1 sake. On our other shows ****there was a show on last year with Ca*adini*..what the heck was hi^dame? Johnny Staeato* Now Johnny Stacato was the kind of a private-eye fellow and we viewed a couple of those shows just for business purposes to see what ?·h6 ot&er fellow's doing* I personally would not have allowed those kind of shows to be shot for us. Because I thouglt they were too seeming* the backgrounds were too unattracted to me and the people were #oing things that I don't like our leading people to do nor do I like the people in their adversaries doing* So we have a taste and style doing our pictures. Now, ## Well x propose <feWte*** their story....we have a serie^fehis year I k don't know whether you've seen it, called Vkm Roaring Twenties, which everybody said "Ah, that's going to be the untouchables11 ?╟≤ Well* you've seen the show and you know that we have a wonderful opportunity to have people ripped apart, machine guns cause these things **?╟≤*?╜*?╟≤**?╟≤??*???? Actually, on film you don't see this* Oh, there are some killings occasionally for but we do not do this show sddfcfe violence* Well, what I was getting at is this*.we make the agreement fi stipulation a will never appear in a scene and all of a sudden we see something laappen and it tea does appear and you say "Well, gee fellows we meant to keep it out but tsbk story line just wouldn't .....and so forth, now what happens (That was Paul P ) Paul, we'd be God damn fools to do that . All right. All right* You put down on paper What it is you don't want to sea. We review it with you. All right. If it. makes any sense at all and doesn't take an emasculative series then we go with you the whole way* We point out to you isim do you want a series or don't you. You put this in a...for instance, you put in *** we don't want anybody who A*