ent001701-003

This item has not been digitized in its entirety. The original item is available for research and handling at the UNLV University Libraries. Additional digitization is available upon request. Please contact Special Collections to request additional digitization or with any questions regarding access at special.collections@unlv.edu. pays much attention. One female reveler, disoriented from drink, finds herself in the boiler room where three stokers lay in wait; they ravage her, ignoring orders from the bridge to help fend off disaster. Behind them, as the Titanic meets its destiny, the boiler room explodes in a torrent of icy sea water and we?╟╓re left with a remarkable vision of the sinking ship, glowing a ghostly blue in the northern night, leaving only a handful of survivors in lifeboats in its wake. These survivors lead into a chorus of ?╟úNearer My God to Thee,?╟Ñ and we bid them farewell. From there it?╟╓s on to World War I, somewhere in battle-ravaged Europe. docks of Southampton, and later aboard ?╟úThe Floating Hotel,?╟Ñ where it?╟╓s all fun and games and tea time for the rich and famous. A peek into the Grand Salon reveals a gala for the ?╟úJubilee!?╟Ñ is no ordinary feathers-and-sequins revue. Beautiful women and bare breasts? Of course. Incredible special effects? Truckloads. A dull rhoment? Never. manifest?╟╓s most celebrated folks, the Guggenheims and Astors in full swing, complete with a fashion show featuring the latest in French Couture from Paul Poiret. Suddenly there comes the famous iceberg warning as the ship nears the banks of Newfoundland, but no one Above the audience two biplanes engage in quick and fierce aerial combat, while onstage a huge screen shows old footage of the ?╟úWar to End All Wars.?╟Ñ This scene gives way toa star-spangled parade with a troupe of red, white ana blue ?╟úYankee Doodlers?╟Ñ front and center, celebrating the allied victory. This scene is somewhat dwarfed by the Titanic events before it, but it?╟╓s still a technical wonder. The final specialty act is a favorite of Arden?╟╓s, and of many Nevada show-goers. The Argentinian Gauchos hit the stage with drums rumbling and long black hair flying, wild-eyed and craving applause. They get plenty with their bolas ?╟÷ long cords with heavy balls on the ends, originally used on the Pampas to entangle livestock. Here, the Gauchos perform lightning-fast, rhythmic feats with the bolas, swinging them in wide circles, slamming them on the floor with loud, gunfirelike results and even dousing them in lighter fluid for a brief yet dizzying light show. All the while the trio tries ?╟úTHE TITANIC SCENE?╟Ñ in a decidedly blue setting. An adagio number, ?╟úBlue Danube?╟Ñ featuring Susan White and the show?╟╓s principal male dancers, ends the scene. Next the show moves stateside to pay homage to America?╟╓s great composer, George Gershwin. It?╟╓s an uptempo, tap-dancing interlude complete with black tails a la Fred Astaire. Where to go from here? Nowhere but up, to the stars. First we witness ?╟úA Marriage Made in Heaven?╟Ñ with Kathy Shriner and Gary Giocomo, followed by a Ziegfeld-inspired final to outdo one another, and their leader carries on a fractured dialogue with the audience. This is an act unlike any other, furious and fast and funny. Titled ?╟úThe Bandwagon Finale,?╟Ñ the last moments of ?╟úJubilee!?╟Ñ serve up a wealth of wonderful music through a series of composer tributes. First it?╟╓s the catchy tunes of Harry Warren starring ?╟úThe Golddiggers,?╟Ñ ?╟úOn the Tbwners?╟╓ ?╟╓ and ?╟  ?╟ Million Dollar Babies.?╟╓ ?╟╓ Then it?╟╓s time for some Cole Porter standards, including ?╟úLady in Red?╟Ñ ?╟÷ in fact, this entire scene is done up in glorious shades of red, while the one that follows it, ?╟úTales of the Vienna Woods,?╟Ñ features melodies by Strauss BOB ARNO scene in which the entire cast takes a stairway to the stars. The feathers really fly for this finale, and not just front and center; The Great Ziegfeld Walk descends from above, and it?╟╓s loaded with showgirls whom even folks in the back rows can ogle perfectly. ?╟úJubilee!?╟Ñ is subtitled ?╟úColor, Motion and Music.?╟Ñ It?╟╓s that and much more, one of the few must-sees remaining on the Las Vegas entertainment scene. In fact, it?╟╓s a must-see-again. For details, call 739-4567. HANS PANTAR AND MAUREEN