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u it could hurt us. Huh, you mean the other way around? Yes, I ....this hs episode stands a thousand to one odd* of hurting us more than it can Yeh, well, help us. So that's a pretty bad percentage for me to go into./ How do you that's What I want to know. arrive at that idea?/ Dh, well, I go by what we got from Goodson-Todman as cfonvicted) an opener. Maybe that convisfcal me a little bit more. Well, let's eliminate Goodson-Todman. Then go to you....we don't know what you're gonna do either. We see here an outline and your professed statement* which not to be critical ,...uh, we got some nice ones from that corner, too, but to Solve a first scripting (sounds like) we almost died.?╟≤?╟≤?╟≤?╟≤we almost died. Because if Goodson-Todman and I told this to theai that brought in that **fc* Story line When they first approached us I think each one of us would have personally thrown them out of the building physically. Well, let me ask another question. What did you object to specifically in the Goodson-Todman lot? Is it the individual impunlng of reputation of individual hotels or the general concept of their decencies.*...*Weil# well....tio...uh...uh brutality blood and brains and money all mixed together and a a in a distortion of what Las Vega* really is, I've lived here nine years and I know it's no boy scout camp ?╟≤?╟≤?╟≤?╟≤see, I I know it's not that but what started to come from this end/at least know about what's gonna come out of your end I don't know pock; yet at all - not from reading this or hearing you talk and your case uh the way you're going into production they'll all be *am?·p completed and we'll be just sitt'n back and look'n at it. Well, l#ee, I think if you go into something like this as a representative of a hotel you've got to say either that we ...I speak for you now....I say as you, "I go with these people or I definitely will go with...." I go with them under certain conditions. I go with them under certain conditions. They don't set the conditions to me I'll set it with them and that's