Information
Digital ID
ent001521-023
UNLV Special Collections provides copies of materials to facilitate private study, scholarship, or research. Material not in the public domain may be used according to fair use of copyrighted materials as defined by copyright law. Please cite us.
Please note that UNLV may not own the copyright to these materials and cannot provide permission to publish or distribute materials when UNLV is not the copyright holder. The user is solely responsible for determining the copyright status of materials and obtaining permission to use material from the copyright holder and for determining whether any permissions relating to any other rights are necessary for the intended use, and for obtaining all required permissions beyond that allowed by fair use.
Read more about our reproduction and use policy.
I agree.CONTINUED: 15 JOE (voice has somehow more presence) Sure, Laurie. LORI - CLOSE 16 IN MOVEMENT, little stumble, but catches herself. LORI Listen ... JOE 17 AS THE CAMERA MOVES IN. LORI'S VOICE (o.s.) Listen ... AND NOW, THE CAMERA OVERCRANKED, Joe seems to lean forward toward CAMERA in the almost graceful grotesquerie of SLOW MOTION, then seems to fall away from CAMERA. LORI'S VOICE fo.s.) (urgent) Listen ... Joe is gone. Suddenly THE BACKGROUND WHICH FRAMED HIM BECOMES CLEAR. LORI 18 at the balcony, the spot where Joe was a moment ago. At first bewildered, but only for a beat. Then realization and as if the shrillness of her voice and the demand will bring him back*. LORI LISTEN m LIS ... INT. OFFICE - DAY 19 CLOSE ON PAUL LORI'S VOICE (o.s.) ... TEN U (CONTINUED)