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review Wednesday, may 12, 1982 jxpqdOoo review THEATER Fun to revisit the Pavilion for heady ?╟ Brides?╟╓ IIv CoKrina C' Inrikill By Sabrina Gledhill Assistant Review Editor Done well, mindless entertainment can be rewarding, if only because it induces forgetfulness and is not as habit-forming as a stiff drink. Seven Brides for Seven Brothers, which opened May 4 at the Dorothy Chandler Pavilion, anesthetizes the angst induced by life's harsh realities, if only temporarily. Not for die-hard cynics, this staged version of the famous film presents a world in which people fall in love at first sight, women accept roles as cooks and laundry maids, and absolutely everyone can dance and sing. Placed under the civilizing influence of women, the scruffiest roughnecks shed hair and dirt to become eligible bachelors. Even the hardest-headed, anti-romantic character is eventually persuaded to bill and coo with the rest. Staged with imaginative scenery, lively music and dancing, dancing and more dancing, Seven Brides pulls it off for most. If you can die from grinning for over two hours, the production might be lethal. The best-known member of the cast is Debby Boone as Milly, the first of the seven brides and instigator of six other marriages. Milly doesn't mind cooking and washing for one man, but seven are much too much ?╟÷ so she plans to have six girlfriends marry her brothers-in-law and share in the chores. Boone?╟╓s major achievements seem to be a hit record, ?╟úYou Light Up My Life," in 1977, and calling Pat Boone ?╟úfather." This is her first theatrical appearance, and although she seemed uncomfortable at times on opening night, she managed to give some fire to the pure, sweet character of Milly. The plot of Seven Brides is fairly simple, involving the requisite number of twists and the obligatory multiple marriage made so popular by Shakespearean comedies. A more direct reference to classic works is an echo of the rape of the Sabine women by Boone and company kick up their heels in Seven Brides' the founders of Ancient Rome. Plutarch is actually cited by one brother as the author of ?╟úThe Sobbin?╟╓ Women" (coincidentally the name of the short story by Stephen Vincent Benet upon which the musical is partially based). Christian mores make the brothers?╟╓ task more complex than that of the Romans ?╟÷ they have to carry off a preacher, too, or no hanky panky. It doesn?╟╓t take the mind of Plutarch to guess just who they forget, dooming themselves to a cold and comfortless #winter. Obviously, the plot is not what holds the production together. The vivacious axe .dance in the opening scene, t^e overwhelmingly complex, energetTFand captivating Social Dance that forms the^ climax oTThe show, the Spring Dance an(T wedding Dance are the lifeblood and pulse coj Seven Brides for Seven Brothers. .Choreographed bv Jerry Jackson, the ^dances have a lively, kick-up-vour-heels-.and-do-a-cartwheel bounce appropriate to -the mood of the musical. It is difficult to sav how this pre-Broadway production will be received when it reaches its destination. As it is. Seven Brides is amusing, nostalgic (if there ever was such a period of purity and rustic Jnnocence), lively, and w'ell worth seeing. Call 460-4411 for information. The show will play until June 19.