ent000972-015

\ . 10 pummels director who takes somebody and iL$ffl%?·\4 him 3 times -?╜ when knocking him down tMM is really what the $$4$MM/ Baene calls for in order to overcome him or put handcuffs on him in this case or whatever* W@ have no ????????? in whatsoever in having this man beaten to a pulp and/our pictures we try to all eliminate/that kind of thing* jfjri%/ How that's the ((this word sounds like vilantary and I know there is no such word.) J&dk*)))))));)) Your worry is that we're going to shove this community in a bad light. If we turn around and have you/ approve every script we shoot it makes working conditions so difficult that you're liable to get a less presentable ilhow, by doing such* Now viho by the way is equipped to decide utterly either one man or a committee what is the taste you want and what is **** if we make .general statements as th the area we're going to operate in ?╜?╟÷ now that doesn't mean that that we don't seek and will ask yourj^ criticism ?╟÷ it's just a. matter of setting up routine formula of approval of every page and every ltne*?½m?½L\?½&mimm How oftentimes we have a script to shoot Wednesday and we have been working on the Script und two weeks before the first draft,. Friday before has been so-called final ?╜*f ^e wt.ll re-read these pages and possibly change 50??· of them %f not that they're changed completely, the dialoge scenes and this and that in order to have a better script to shoot on on monday. now that area of approval becomes so $$^%?·$MM/ cumbersome that it's almost impossible to and op^ in the fashion MM we operate #?·/ that is constant change to improve to take advantage of what we should and eliminate doing what we shouldn't and that goes for cutting room too (noise and coughing) ?╟≤ We have never had any the %$Mtf trouble with/fcBC continuity people about (this word soonda lifce binds or bonds) or about going overboard in a matter of taste of the kind of thl^g I've described to you. When I was last %M&/f 7???? a committee was