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Digital ID
ent001652-018
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I agree.(M that curls the hair on the bacfcl of one?╟╓s neck, on opening night| Ms. Welch had some difficulty with her microphone during ?√ß?√ß number, but Director Jacksonl saved the song TTy leaving hisl ringside tabje to go onstage 1 and give her another iiiifcxcbJ phonent was a TruljT profes-1 sional act on Jackson?╟╓s part I and the audience warmly | cheered his chivalry. %% The other production numbers, ?╟úJapanese Fairy Tale?╟Ñ and ?╟úHot in Haiti,?╟Ñ also feature bright costume and terrific dancing. Supporting acts are inserted between each production number to allow set and costume changes. The outstanding supporting act was the Argentine Gauchos, a trio of dancers-musicians who use drums, chains or ropes with balls on the end to provide dazzling sights and sounds. Also impressive is the the comic acrobatic team of Gerard and Moby. The duo?╟╓s quick paced routine, featuring plenty of jumps, tumbles, rolls, and falls, makes a person wonde how the two men can take such physical punishment for two shows each night. HBbe Great Tomsoni, a Polish I magician billed as the ?╟úWar- , saw Wizard,?╟Ñ provides some funny moments. Tomsoni walks on stage wearing a brown shoe on one foot and a black shoe on