Meeting minutes for Consolidated Student Senate University of Nevada, Las Vegas, April 07, 1993

_ C O N S C i F ; ' STUDENTS iluDE'iV Gf:V£C';yr,;T 0 F C £ U K i V E R 3; r • ;;" >, r y /. q Apr 2 30 ft 'S3 CONSOLIDATED STUDENTS OFFICE OF THE SENATE PRESIDENT AGENDA SENATE MEETING NO. 23-14 WEDNESDAY, APRIL 7, 1993 MOYER STUDENT UNION ROOM 201 5:00 p.m. I. CALL TO ORDER II. ROLL CALL III. APPROVAL OF MINUTES NO. 23-12 and 23-13 IV. ANNOUNCEMENTS V. BOARD & COMMITTEE REPORTS VI. SENATE COMMITTEE & EXECUTIVE BOARD NOMINATIONS A. Approval of Joe Martin to the Student Campus Safety Awareness Committee; B. Approval of Aaron Rosenthal to the Student Campus Safety Awareness Committee; C. Approval of Mark Stenberg to the Elections Board; D. Approval of Mike Kennedy to the Scholarship Committee; E. Approval of Ed Marshall to the Scholarship Committee; F. Approval of Ryan Buy to the Scholarship Committee; G. Approval of Tobias Moon to the Judicial Council; H. Approval of John Zerkel to the Judicial Council. I. Approval of Brian Quails as the Assistant Organizations Board Director; VII. UNFINISHED BUSINESS A. Nomination/Approval of vacant seats: 1. Education a. Rachel Keicker b. Peter Mangual 2. Health Sciences a. Donna Gerard B. Approval of $500.00 for the Rebel Ski Club to be encumbered out of the 2704 (org) account. VIII. NEW BUSINESS A. Review/Approval/Dis-approval of Senate Resolution 2 1 - 0 2 ; B. Approval of Senate Resolution 23-02; C. Approval of a line item transfer of $10,000.00 from the 2702 (Contingency Account) to the 2702 (General Student Wages Account); D. Approval of Transferring $6,000.00 out of the 2702 (General Account) to President Maxson's office for the 1991-1992 installment payment for the CSUN office renovation; E. Approval of an over-ride of Senate Bylaw 26 Article UNIVERSITY OF NEVADA. L ^ s e V ^ G A S / 4 5 0 5 M A R Y L A N D " A I W / W F A V V ^ G A I NEVA^^ CONScI.!DATED STUCENTS STUQEfi: SCVtKHHENT OrCS. SENATE MEETING 23-14 USIVERSIT^F HEV'ADA page two VIII. NEW BUSINESS CONT. ^ ^ 1 5 ^ ^ on behalf of the Executive Board request these sections of CSUN Leadership Scholarship Bylaw 26 be waived); F. Approval of, but not to exceed, $3,750.00 for the parking lot fee for the Spring Fest Carnival to be encumbered out of the 2705 (E&P) account; G. Approval of $60.00 for the American Institute of Architecture Students to be encumbered out of the 2704 (org) account; H. Approval of $100.00 for the Collegiate Honors Council to be encumbered out of the 2704 (org) account; I. Approval of $500.00 for the Financial Management Association to be encumbered out of the 2704 (org) account; J. Approval of $500.00 for Pi Sigma Alpha to be encumbered out of the 2704 (org) account; K. Approval of $500.00 for Circle K to be encumbered out of the 2704 (org) account; L. Approval of $500.00 for the American Indian Science & Engineering to be encumbered out of the 2704 (org) account; M. Approval of $400.00 for Students Conscious of Protecting the Environment to be encumbered out of the 2704 (org) account; N. Approval of $500.00 for the UNLV Psychology Club to be encumbered out of the 2704 (org) account; 0. Approval of $500.00 for Psi Chi to be encumbered out of the 2704 (org) account. IX. OPEN DISCUSSION X. ADJOURNMENT POSTED IN ACCORDANCE WITH THE NEVADA OPEN MEETING LAW: M0YER STUDENT UNI0N-1ST FLOOR HUMANITIES-1ST FLOOR BEAM HALL-1ST FLOOR WRIGHT HALL-1ST FLOOR ENGINEERING-1ST FLOOR i / u N V 9 I ^ ^ C Q H M U N i T Y F 91fm R A D I O nmmnn sPring193 The Guide lo Alternative Radio A m a z i n g Grace John Newton Join KUNV as we celebrate folk life from Las Vegas and around the world during our twelfth anniversary. With folk arts festivals, live broadcasts, and local and syndicated international music series, KUNV welcomes spring with a collage of song, dance, food, art, folk-ways, and much more. Read on, details inside! | T H I N K A G A I N | THE IMPORTANCE OF FOLK ART IN CONTEMPORARY SOCIETY OR... AREN'T SOME THINGS BETTER THAN PLASTIC? From the outset, let's take issue with the old expression "America is a melting pot" and consider the possibility that America is a "Nation of Nations." Our cultural heritage is a mosaic consisting of dance, food, music, skill, craft, song, and story assembled from all countries and all con-tinents. In dance we see an urge as biologically old as humanity: the desire to move our bodies in time with drum or flute or banjo or fiddle (or symphony orchestra for that matter). America's folk dances are an ex-pression of celebration — African, Mexi-can, or Armenian wedding dances; of union and solidarity — Yugoslavian or Scottish line and circle dances; of tri-umph and purpose — Native American group and chorus dances. All of these are intricate, traditional, and exciting forms of cultural, but more importantly, human expression that may focus on anything from the courage demanded by war to the joy and anticipation of birth or the wed-ding feast. America's food is equally the product of our many cultures. From every land we get ingredients and recipes: chile and chocolate in a hundred forms from Mexico; seafood from Asia; fruits veg-etables, and grains from Europe and Af-rica. These ingredients combine to bring an "ethnic" flavor to American cooking that is unequalled in diversity and wide-spread distribution throughout the land. Again, we see in our daily diet a celebra-tion and song of other cultures, customs, and people. Music, like dance and food, is an essen-tial component of our American heritage. From uniquely American instruments such as the Native American flute and the 5-string banjo, to a host of string and wind instruments from Europe, we have developed a wide variety of instru-mental styles and accom-paniments that re-flect our "Nation of Nations" origin and evolution. Organized and structured across hundreds of years and thousands of miles, our American folk music consists of rhythms, melodies, tempos, and harmo-nies distinctly ethnic in origin but uniquely American in expression. America's folk songs are a translation of the country's history - an emotional lan-guage designed to absorb, store, and re-turn memories. Because we represent di-verse origins, our folk music and song offer us a feeling of security. Everyone in our nation sings for what they are or would like to be. But when we don't sing, we implore the singer to sing our lives for us; in part to remind us of our cultural identity and to comfort us that it has not disap-peared. not been digested and absorbed into the "melting pot." There is really no point in prolonging the old complaint that mass media such as radio, cassette, and compact disc have caused the extinction of the "traditional" singer (isolation has generally been con-sidered to be a qualifying factor of "true folk"). If anything, because these media have given us the chance to hear the folk music of our "Nation of Nations" on a broad and continuous basis, we stand a better chance of preserving the music. The first question an artist faces, in any medium, is how to preserve cultural iden-tity; especially when it is under constant siege. Festivals such as the Las Vegas Folklife Festival (Lorenzi Park, May 1 & 2, see page four) that celebrate the folk traditions and radio stations like KUNV that offer a fair amount of folk music pro-gramming play an important role in pre-serving our heritage by consolidating eth-nic identities, cultures, and lifeways that are in danger of vanishing. By presenting the opportunity for a demonstration of folk art, crafts, and music we can, in fact, res-urrect the past and integrate it with the present. Because art demands the break-down of convention and carries the seeds of its own destruction, it is critical that we seize every opportunity to preserve cultural arts through participation and enjoyment. During the Las Vegas Folklife Festival, we at KUNV along with the Nevada State Council on the Arts, the City of Las Vegas Department of Recreation and Leisure Activities, the Clark County Department of Parks and Recreation, and the Nevada State Museum and Historical Society in-vite you to participate with us; to sing, dance, eat traditional food, appreciate a broad spectrum of skill and craft, and, above all, to discover and enjoy our cul-tural world of choice. - Dave Weide Dave is KUNV's host for Mostly Folk, builder of extraordinary shelves for CDs, and a pro-fessor of ge-ology at the University. Spring '93 MOUTHPIECE O 12 MASTERS OF TRADITIONAL MUSIC Etta Baker. Piedmont Blues. Morganton North Carolina Masters of Traditional Music is a 52 part radio journey across America through in-ner city neighborhoods, sprawling sub-urbs, and back country roads. These en-joyable and informative audio vignettes can be heard as the closing segment CQDX, Monday - Friday at 9:55am be-ginning May 3 on KUNV. Adam Popovich. Serbian Tamburitza. Dolton Illinois In each feature are the sounds and music of the day to day life of people at home, work, and worship. All of the features fo-cus on individuals who are exceptional and are recipients of the prestigious National Heritage Fellowship awarded annually by the Folk Arts Program of the National En-dowment for the Arts over ten years. These masters of traditional music are innovators and teachers who carry on time-honored traditions that are intrinsic to the quality of life. They are people who embody the vitality and ongoing ingenu-ity of culturally diverse artistic styles, whether local, ethnic, tribal, religious, or regional. The music and instruments heard on Masters of Traditional Music are as various as the people themselves: Cow-boy Poetry, Klezmer Clarinet, Lakota Flute, A Capella Gospel, Conjunto Ac-cordion, Zydeco, Armenian Oud, Hawai-ian Slack Key Guitar, Mountain Ballads, Mardi Gras Indian Chants, Piedmont Blues, Appalachian Banjo, Mexican Jarocho, Bluegrass, Cape Breton Fiddling, Corridos, Pontic Greek Lyra, Rhythm and Blues, Apache Violin, Irish Pipes, Slovenian Polka, Serbian Tamburitza, Shape Note Singing, Hmong Kleng, Mariachi, Okinawan Sanshin, Isleno (Canary Island) Decimas, Barrelhouse Piano, and other culturally based varia-tions. Each of the features is approximately five minutes in length and is narrated in En-glish with performances in native tongues. While not all of the performers are pro-fessional musicians and many support themselves and their families by working in unrelated occupations, they are all Masters of Traditional Music. Come visit your neighbors and celebrate living in Las Vegas at the Las Ve-gas Folklife Festival! Lorenzi Park is the setting, May 1 and 2. KUNV will be there marking our 12th anniversary. The Folklife Festival is a two day extravaganza highlighting traditional arts from Las Vegas' ethnic, occupa-tional, and folk communities featuring music and dance performances, crafts demonstrations and exhibits, ethnic foods, and children's activities. LAS VEGAS FOLKLIFE FESTIVAL May 1&2 Admission is free to all the festivities held at Lorenzi Park's Sammy Davis Jr. Fes-tival Plaza and Nevada State Museum & Historical Society. The Las Vegas Folklife Festival is a project of the Nevada State Council on the Arts with funding from the National Endowment for the Arts. Local co-sponsors are the City of Las Vegas, Clark County De-partment of Parks and Recreation, the Nevada State Museum & Historical So-ciety, and KUNV. 4 O MOUTHPIECE Spring V3 NATIONAL HERITAGE FELLOWS PERFORMANCE SERIES As part of our folk life celebration this May, KUNV is pleased to present a series of recordings made at the Ne-vada State Museum and Historical Society. Seven performances were given at the mu-seum in the spring of 1991 as part of a season long presentation of America's Living Folk Traditions. Each can be heard Wednesday mornings at 10am beginning May 5. All of the performers are winners of the Na-tional Heritage Fellowship awarded by the Folk Arts Program of the National Endow-ment for the Arts. The awards pay tribute to exemplary practitioners of traditional folk arts. This series of concerts was organized by the Nevada State Museum and Historical Society and was sponsored nationally by the NEA and locally by Southwest Airlines, the Rio Suite Hotel & Casino, the Stardust Resort & Ca-sino, First Interstate Bank, the Nevada State Council on the Arts, and the City of Las Vegas. KUNV would like to thank Art Wolff, former director of the Nevada State Museum, for do-nating the tapes. BROADCAST SCHEDULE May 12, 10am RICHARD HAGOPIAN, Armenian Oud Player Mr. Hagopian is a master of the oud, a short-necked plucked instrument of the lute family which has been played in many Near and Middle Eastern cultures. May 19, 10am JOYCE DOC TATE NEVAQUAYA, Comanche Flutist Mr. Nevaquaya has contributed to the preservation of the American Indian courting flute through his extensive research and his mastery of the performance of this delicate and ex-pressive instrument. May 26, 10am JOSE GUTIERREZ, Mexican Jarocho Musician Accompanied by Los Pregoneros del Puerto, Mr. Gutierrez is a master musician in the Mexican jarocho tradition from the coastal state of Veracruz. June 2, 10am BOIS SEC ARDOIN AND CANRAY FONTENOT'S FRENCH BAND, Creole Accordion and Fiddle Playing together for over fifty years, Messrs.. Ardoin and Fontenot are today the finest living exponents of early Black Creole music of Southwestern Louisiana to which they are directly linked through their families. June 9, 10am CHELEY GOSEYUN WILSON, Apache Violin Mr. Wilson is descended from traditional leaders of the San Carlos and White Mountain Apache groups of Arizona and is known for his silversmithing, woodcarving, violin mak-ing, and singing. June 16, 10am JIMMY JAUSORO, Basque Accordionist Mr. Jausoro has played the songs of his Basque heritage for nearly sixty years. He is accompanied on this recording , as he has been for thirty years, by the Oinkari Basque Dancers. June 23, 10am DEWEY BALFA, Cajun Fiddler Dewey Balfa is an ambassador for the Cajun culture of Louisiana and a leading figure in its preservation. He is recognized as a musician whose fiddling and singing express the in-tense joy and overwhelming personal tragedy that characterize Cajun history. Spring '93 M O U T H P I E C E O 12 L Y S C H E U L E F R I D A Y S A T U R D A Y S U N D A Y c ROADS. )N THE ARTS D SPORTS TALK NO SOAP RADIO THE ROCK AVENUE C A D A n o Ww^ HF^ ^SMV M jlwrf: AVAYE DEL 8am lOam )PLAY RADIO CLASSICS MEMORIES OF GERMANY VARIANCE Noon JAZZ TRADITIONS „ B l u e s l e g a c y •s ENESS H E A L T H S H O W T/ \A7> 4a> eOt •ia' PARENT S JOURNAL WORD WOTHIN'BUTi Reggae H a p p e n i n g s ^ • ' p p b i r t 2pm Mostly Folk P a t & l i w o r k DANCETERIA 4pm 6pm 8pm 10pm N E M M MIML 12am 2am 4am I I ALPHABETICAL LIST OF PROGRAMS JAZZ TRADITIONS - Swingin', hip, and sophisti-cated. From mainstream to big band to be-bop, KUNV is pleased to feature three hours of acoustic Jazz Monday-Saturday from Noon to 3pm. An album play, "The Jazz Place", is heard Fridays at 1pm. KEYS AND VOCALS - A pleasing and unique blend of various types of jazz with a focus on, well, the name says it all. Mondays at 1 lam. LUMINOUS BASEMENT - Alternative rock re-corded from 1985 and before, Tuesdays at 1 Opm. LUNCH WITH THE PMRC - The Hardcore Show. Punk, post-punk, neo-punk, and music from local bands in a time of national censorship issues. Mon-days at Midnight. MEMORIES OF GERMANY - Internationale Musik in deutscher Sprache. We're pleased to feature German language and music, Saturdays, 1 lam. METAL EXTENSIONS - Stand back from your radio. Two hours of thrashin', headbangin' Heavy Metal. Thursday, Midnight. MOSTLY FOLK - The title of the program is a giveaway. You'll hear the American/English/Irish tradition of Folk plus acoustic music from around the world every Sunday at 4pm. NATURALLY NEVADA - Examines Nevada's fragile desert environment. Also covers national and international issues. Your phone calls are invited. Mondays at 10am. Repeats Wednesdays at 7pm. Modern, Industrial, Ska, Garage, Techno, What-ever, it's on the Rock Avenue nightly at 8pm. ROTATING HEADS - A weekly thematic under-ground rock program with rotating hosts, features a different theme each week, Thursdays at 10pm. SABADO ESPECIAL - Four hours of top notch programming in Spanish. Music, info, conversation, events listings, Sabado Especial has it all, 7-1 lam, Saturday. SECOND OPINION - Join host Erwin Knoll, edi-tor of The Progressive magazine as he talks with leading, dissident thinkers and activists. Wednesday at 10:30am. SOUNDINGS - Intriguing discussions in the hu-manities from the National Humanities Center. Tuesdays, 10:30am. SOUNDPLAY - A six month series of radio dra-mas from around the world. Samuel Beckett, Vaclav Havel, John Cage, just some of the writers featured on this weekly series Thursdays at 11am. Times may vary. Check listings elsewhere in Mouthpiece. SOUNDS OF THE CENTURY - Classical music of the 20th century - John Cage, Charles Ives, Phil-lip Glass, and Laurie Anderson are just some of the composers featured Tuesdays at 1 lam. SPEED ZONE - Bone breaking, ear shattering grindcore, speed metal thrash not for the weak-kneed. Wednesdays at midnight. AVAYE DEL - "Song of the Heart", poetry, music, and plays of Iran in Farsi, Sundays at 10am. AWARENESS - A frank, candid, and serious look at relationships - intrapersonal, interpersonal, and family. Please call us, Thursdays at 7pm. BLUES LEGACY - The roots of blues, r&b, and rock are explored for two hours each week. Blues Legacy is a must listen Sundays at noon. COMMON GROUND - An excellent interview program explorintg politicl, economic, military, and social issues in international relations. Tuesdays 7pm. CQDX - "Calling all long distance stations!!" KUNV's home brewed contemporary and traditional world beat program, Monday through Friday at 9am. CROSSROADS - The voice of multi-cultural America. Crossroads presents the sounds and ideas of a broad cross-section of the American commu-nity. Heard Thursdays at 10am. DANCETERIA - Cut up the rug as KUNV djs cut up the radio An hour of the latest and baddest dance music each week on Danceteria. Fridays, I Opm. DIALOGUE - Informative programming from the Wilson International Center at the Smithsonian In-stitute. Critical issues in world affairs are discussed in a provocative manner. Tuesdays, 10am. ENVIRONMENT SHOW - A convenient, na-tional review of the week's environmental news Wednesdays at 7:30pm. EXOTIC EXCURSIONS - Not New Age! Elec-tronic, experimental, and world music are the fare every Sunday, 8pm. FANTASIA MUSICAL - Spanish language pro-gramming featuring a mixed bag of international music including salsa, tango, folk, and more. Sun-days from 7am-10am. FIFTY ONE PERCENT - A program for everyone concerned with women's issues. A serious and intel-ligent look at society's impact on women and their impact on society. Tune in Mondays at 7:00pm. GINGERBREAD HOUSE - The long lost art of storytelling is alive and well on The Gingerbread House. Drama, dramatic readings, poetry, and sto-ries; an infectious half hour. Wed., 1 lam. HIGH PLAINS NEWS SERVICE - A weekly newsmagazine featuring stories on the west, Tues-days at 7:30pm. HOT OFF THE PRESS - The sound of record and CD cellophane being removed is heard on HOTP - two hours of new releases Tuesdays, midnight. JAZZ PROGRESSIONS - Contemporary Jazz at its best. Tune in Monday-Friday from 3pm to 7pm. We also feature an entire album on "Jazz Place" Wednesdays at 5pm. A KUNV Top 20 Countdown, "Jazz Addictions" is heard Thursdays at 5pm. NEW LETTERS ON THE AIR - This weekly lit-erary program features discussions and readings from established and new writers. Wednesday, 11:30am. SPORTS TALK - Not just sports scores. Not just batting averages. But opinionated discussions and stimulating talk about sports. Fridays at 10am. NO SOAP RADIO - This show is not the least bit funny so don't bother listening, Friday at 10:30am. NOTHIN' BUT THE BLUES - Three hours of electric blues Saturdays, 3pm. We'll cure any blues you got! PARENT'S JOURNAL - A national radio series for parents. Features prominent pediatricians, authors, educators, psychologists, and others who care for and about children. Friday nights at 7:00. PATCHWORK - Get down with two hours of blue-grass, cajun, and new folk. Sundays at 6pm. PUBLIC RADIO HEALTH SHOW - A weekly news magazine covering key medical breakthroughs, public health , health tips... Thursdays at 7:30pm. RADIO CLASSICS - Before the brains went numb with TV, radio was king! Join us each week for a taste of the 'golden age' of radio, Friday I lam. REGGAE HAPPENINGS - Cool Runnings. The latest Reggae, Calypso, Soca, and Afro-Beat. Have an Irie weekend, Saturdays at 6pm. ROCK AVENUE - KUNV's daily offering of un-derground rock. Punk, New Wave, New Music, Post SPOTLIGHT ON THE ARTS - A look at the arts on campus and around town. Thursdays at 10:30am. SYNTHESIS - musicalmindmeld. Sundays 10pm. THIS WAY OUT - The internationally produced and distributed lesbian and gay radio program. Mondays, 7:30pm. TIME OUT FOR HEALTH! - A co-production of I KUNV and UNLV's Student Health Center. Airs Mondays at 10:30am. VARIANCES - French music, culture, and infor-mation for the French speaking community. Great for French language students. Sundays, 1 lam. VIRTUAL RADIO - Is it radio? Is it reality? It is virtually all of the above... and then some. Long Live the New Flesh, Sunday at midnight. WOMEN'S VOICES - When was the last time you heard a woman really sing. That long!? Then tune in Women's Voices every Sunday at 2pm. WORD UP! - Street-beat-funk-n-rap in an indus-trial style for your face. Fridays 8pm. 8 O MOUTHPIECE Spring V3 , AND B E 1 M E R R Y MAX ROACH'S FRIED CORN KUNV helps keep you cookin' with jazz. Drummer Max Roach's fried corn harkens back to those days when his family needed to make the most out of the least. "We'd eat this when the corn was in season," he re-calls about this popular South-ern recipe. "Now that I spend every summer in a place like Amherst in western Massachu-setts, I can easily pick up fresh corn and bring it home so I can make this dish." Serves 4 as a side dish or 2 as a main course. 8 ears of fresh white corn 3/4 cup of vegetable oil 1 cut onion, diced 1 large garlic clove, minced 1 cup sweet red pepper, diced 1 cup green pepper, diced 1/2 cup celery, diced 1 teaspoon jalapeno pepper, finely chopped Salt Shuck the corn and slice the kernels from the cob. In a large skillet, heat the oil over medium heat. Saute the onion and garlic for 5 minutes, or until they be-come transparent. Add the corn, stir in the red and green peppers, celery, and jalapeno pepper. Re-duce heat to medium low, cover the pan, and cook for 30 minutes, stirring occasionally. Remove lid from skillet and cook over me-dium heat for an additional 20 minutes. Remove from the stove and salt to taste. Reprinted by permission: Jazz Cooks: Portraits and Recipes of the Greats by Bob Young and A1 Stankus, Copyright 1992 Stewart, Tabori & Chang. MAY IS JAZZ MONTH! JAZZ MONTH PICNIC May 9 at Paradise Park An afternoon event full of great music, food, and fun. And best of all - it's outdoors! Bring the lawn chair and sit back and relax, let the bands do the rest. Sponsored by KUNV and the Las Vegas Jazz Society. JAZZ MONTH CONCERTS Tuesdays in May at Alexis Park Resort, 8pm & 9:30pm. A long time tradition - KUNV and Jazz. KUNV will take you live to the Alexis Park Resort every Tuesday in May at 8pm. Jazz the way it's supposed to be - live. You won't want to miss both sets. Listen to KUNV for more information. Sponsored by KUNV and the Las Vegas Jazz Society. RHYTHM & RIBS May 14 at Sunset Park 7:30pm C.J. Chenier and Las Vegas' Ruffnecks kick off the annual Clark County Craft Fair and Rib Burn-Off weekend. It ain't jazz but it's sure to be a hell of a barn burner. Zydeco at its best here in Las Vegas. Don't miss it. Sponsored by KUNV and the Clark County Cultural Affairs Division CHRISTOPHER HOLLYDAY QUARTET May 22 at The Reed Whipple Cultural Center 7:30pm At age 14, Hollyday won the Young Talent Award from the National Association of Jazz Educators. Now, at 23, he is still ripping up the scales on his alto saxophone. Stay on course with Christopher Hollyday. Sponsored by KUNV and The City ofL. V. Cultural and Community Affairs Division MEDIA MOGUL MOODY Not only is Bill Moody a KUNV jazz announcer. Not only has he recorded as a drummer in jazz ensembles. Not only does he write for and edit periodicals related to jazz. He's just published a book on the subject! The Jazz Exiles chronicles the expatriate movement of American jazz musicians to Europe during the post World War II era. Throughout the book, the musicians speak for themselves in describing the motivation for joining the exodus to Europe. The exiles include many of the biggest names in jazz - Dexter Gordon, Johnny Griffin, Phil Woods, Coleman Hawkins, Louis Armstrong, Stan Getz, Benny Carter, and Bud Powell, among others. Moody charts the movement of American musicians from a historical perspective and examines the exile experience from a number of sociological and economic viewpoints all of which are factors in understanding jazz history. The book sheds new light on America's attitude toward its own original art from and examines the dilemma of the American artist both at home and abroad. Anyone who appreciates American music should read the accounts of these jazz exiles. The Jazz Exiles, with forward by Stanley Dance, is available in stores this April. Spring '93 MOUTHPIECE O 12 I T ' S I N T H E 1 M 1 A 1 1 L Dear KUNV. I am writing to let you know how much I enjoy your programming. My favorite programs are: A World of Choice - Music of the World (Eds. Note - CQDX). The Golden Cradle (Immigrant Women in the U.S.), Jazz Progressions, your Satur-day blues show, and Reggae music programs. A World of Choice - Music of the World is both enjoyable and educational. I have heard selections I would never hear on the radio and have learned of artists and selections I want to add to my private music collection. How many music stores can help you with the purchase of Irish Folk Music, Jazz (other than what is on the charts), Latin/Salsa, etc? Thanks for having the guts to open hearts and minds to the variety of music available in today's world. The Golden Cradle series is wonderful. It should be added to the history curricu-lum for Clark County Schools. It is so well done and has helped me have a better understanding of different ethnic groups and their immigration experience. It teaches empathy and appreciation of our American "melting pot". Jazz and Reggae are two of my favorite types of music. Again, thank you for introducing me to new artists and selections. As a Marketing Manager, I know the importance of demographics to programming (at least it's important to the Marketing Department!). Just from our family alone you are getting quite a range. I am 40 years old, female and own my own business. My Mother-in-Law is 60 years old and listens to The Golden Cradle with me. My son is 16. we listen to the blues program together - it's a great time. My husband tunes in The World of Choice- Music of the World program at work (an electronics lab) where the ages range from 20's to 40's. I hope your audience will continue to grow and your programming will continue to bring us all a choice in music. Thank you for a j ob well done. Darlene F. Curtis Dear KUNV Station Manager, This is just a note to tell you that I really enjoy and appreciate the Women's Voices program on Sundays. I can't tell you how refreshing it is to hear songs sung by women and in so many different genres. Mainstream rock radio will play a token song by a female once in awhile, but on this program we get to hear a full block of women singing. The idea for the program is great and much needed in this community. Jeri Blake is an excellent DJ and always surprises me with her song selection. Keep up the great work, KUNV. You have a fine radio station. Meg Schramm Dear KUNV, I just wanted to let you know that I really appreciate your format including a world of choice. I have special praise for two programs: Women's Voices and Mostly Folk. I listen every weekend to both of these programs. It is convenient that they are aired back-to-back. Both Jerry and Dave have a special talent as disc jockeys and announcers. I have also listened and enjoyed your Spanish programs on Saturday and Sunday and the Jazz afternoons are really great. I don't often get to listen during the day so I miss much of the jazz. I also occasionally catch the Blues show. I think yours is the only station in Vegas that offers good Blues. Thank you for your dedication to choice for the entire community. Denise Gray Hey Dr. Moody, You just signed off the air and I thought I'd drop a few words to you. I have an hour to kill yet at work, I guess I've been little more than corporate fat this afternoon but who can work when it's raining and raining. Enjoyed your show and I know how much you love Charlie Parker. I appreciate what you and your fellow jazz doctors do to fill the radio void every day. KUNV is special and comes very close to sating my eclectic musical lust. Anyway, thanx for the dash of soul in this parched, near soulless community. Also, Dr. Moody, thanks for letting me turn in my research paper a year after you flunked in 101, 'predate it. Joel Skaggs Dear Rob, Suzanne, and the Entire KUNV Staff, THANKS for continuing to bring altogether different, intelligent, and worthwhile radio programming to Las Vegas. Food for the heart and mind! James, Robert, Jeremy, and Susan - Scope Magazine PROGRAM GUIDE KUNV - UNLV 4505 Maryland Parkway Las Vegas NV 89154- 2010 Non Profit U.S. Postage PAID Permit No. 200 Las Vegas NV POSTMASTER - Address Correction Requested SENATE RESOLUTION 23-01 Statement of Independence and policy for the Rebel Yell The University of Nevada, Las Vegas, Student Government (CSUN) recognizes the Rebel Yell as an independent publication. The purpose of the Rebel Yell has been established to maintain as atmosphere of free and responsible journalism. The University of Nevada, Las Vegas, Board of Regents as the recognizer of the Rebel Yell, bears the responsibility for the contents of the paper. 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