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* * tl should be *...?╜Faul**?aui****What? Go ahead* Go ahead. Paul, this is Gene Murphy* Go ahead* Paul* Now first of all let me say that I've never considered toyself as a cantor having once been in the writing angle of it picayune in television $had my belly full of p*eyttae censorship of which 1 considered this thing afcrout squashing out jrlpjaag, clgerettes and so forth tp be picayune censorship. Now first, living in Lap. Vegas . present* another sort of a ( problem because I. consider this as a place that gives me,a paycheck every , week and anything that's gonna interrupt that paycheck is going to be a definite blow against my poeketbook and I*m against it* Now what I'd like to say is this* If it w****you say it's not feasible for us to examine each script because naturally because of your -shooting schedules, but would it be possible if a grout? of either men from.this room or hotel owners or something like that could get together and establish a list of points that we would not like to have done on this show* , That was agreed to* In this series* That was agreed to* We'll ask them anyway* That was agreed to* Is that not to? True*Al*Fellows* Fellows* This.is fine from your point of view but do you realise what it does here*and we'd discuss it back and forth if we come to an Cause agreement in total we have no problem* /it is not difficult to follow rules set down that are livable unless they couldn't enforce the Volstead Act* So they changed it so if you put things in that make it impossible to do the kind of show,we presented we have to come back here and say, "low*' look* Here's what's happening hare. And we have to be realistic about it* ht the same time vte are most happy to follow any dictates of that kind 3m& because we have no desire already to show the hotels of which you are an employee in Well, a bad lights /I would say (Gene) that if we can't see the finished product, the least we could do w*uld be to try to stops these things at the inception