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ent001320-177
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RTHE ORIGINAL _ omeikF PRESS CLIPPINGS ?╟÷ 220 W. 19* St., NEWARK H, N.Y. Tel. CHelsea 3-8860 l^tC/ir. (D 5,066) This Clipping From LEXINGTON,:N. C. DISPATCH On Right Page? ^CS; OUR DESKMATE, Hoyt King, questions whether this picture should jbe oh the sports pagMbut since the gal, Joyce Niyeii, is'queen of the; mid-whiter tr%)'shooting tpurftey in Las Vegas..''Nev.. we kihda thinktPfWnp^ALL RIGHT?; You said it! (IntemationplJ In Song- Writing Game /?╟≤ye By JACK GAVER. The odds are always long against success, in the song-writ- I ing game, but the sort of thing ! that has the best chance is a novelty number, according to Guy Lombard??. "It's true that good ballads and waltzes last longer," the veteran bandleader explained, "but a good novelty song has a better chance to catch on quickly. "This is important in the highly competitive market today where a new writer's first consideration is to get recognition. I Tlie quickest way to get that is : %o write a novelty song because i publishers will look at it with j much more interest than they will look at any other kind." Lombardo, despite his reputation for many years of being the . i outstanding purveyor of "sweet" music, knows what he's talking i about, if his record means anything. "The fijnny thing'about people i is that many think all of my big \ recording, hits have been slow I stuff?╟÷ballads and waltzes," he | said. "We've had our share, of j course, but our biggest ones, year i in and year out, have been the novelty tunes. People like to ' hear a good story, and, if that is I told in song, so much the better." The latest record click for the j Lombardo outfit is a novelty called "John, John, John" on a I Decca platter. "It follows the pattern of a good novelty," Lombardo said. "It tells an interesting jstory about the frustration of parents- 1 to-be in trying to think up a good name for the baby. They 'FEBRUARY 21, 1953 can't think of anything more distinctive than John." g. A lot of persons may decide to sit down and dash off a sure- ' fife novelty song after reading this, but they shouldn't expect too much. "John, John, John" is the work of Collins Driggs. It was his*first successful song in almost 300 attempts, i You never can tell these days who is going to come out oh a night-club floor to entertain you. g Jack Entrattefiygwho used to run the Copacabana and is now the head man of the new Sands resort hotel in Las Vegas, has come up with a pair of stars that makes you Jblink. Tallulah Bankhead, who has been working out for the event in her once-a-month NBC television shows this winter, is the first startling headliner. NO one knows what she is going to do, but, with Tallulah, that isn't important. She'll pull ,*em in i beginning .March 12. .; j Entratter's second stajffler is/ Ezio Pinza, the basso whla?·;de-/ sorted opera for the Broadway stage and television. He'll make his first night club appearance at the Sands May-21^S?║|?·. Gogi's LaRue Schedule Gogi's Larue wut'temain open nightly, including Sundays, for the balance of singer,Joanne Gilbert's engagepaen^pa^,- new Hollywood singer appears for both dinner and supper shows, backed by the music of Ted Straeter's orchestra. - |Bn Hollywood NEW YORK WORLD-TELEGRAM AND SUN, FRIDAY, FEBRUARY 20, \Paravision Called Threat taJTV By ERSKINE JOHNSON. j HOLLYWOOD, Feb. 20.?╟÷ I What's the shape of 3-D things to I come? j I'm putting "Bwana Devil," the \ first feature-length "depthie" to hit the box office jackpot, in the. | experimental class now that I'vej j seen Paravision. I Hailed by technicians as the I first true threerdimensional film process, it's Paramount's entry in Hollywood's big 3-D race to win back movie fans from TV. And, I can report, Paravision is THE big threat to television. There's no eye-strain, distortion or polaroid squint. The scenes are sharp, the color perfect and the depth is fantastic. J The studio is shooting a Tech [nicolor film titled "Sangaree", with Arlene Dahl and Fernando Lamas in the new 3-D process and judging from the scenes Ij saw from behind my polaroid glasses, the picture will make Paramount the Fort Knox of the movie industry. Llzabeth Scott Arlene Dahl tomed to polaroid glasses at theaters? William Pine, co-producer of the film with Bill Thomas, answered that one with: "When sound first came in Hollywood was worried about whether moviegoers would resent noise in the theater after years of peaceful silence." * * ?╟≤ Elizabeth Scott's pals are worried about her jumpy nerves and her yen for seclusion. . . . Vap | Johnson's contract with MGM doesn't,re^$.$ttii the year's end, but ,rHe xilpj^jtain his release fromJihe^pib". before that time. _.-'%'^^^3imensions of out- Js-winNilentertainment--with T. 'raomllon and the Williams ?╟≤others at the;Mocambo. . . 'Joan Crawford's eyes are popping.' She, was offered $25,000 for a' week's stint at the fiar>ri?╜ TTntoil in Las Vegas. -. .'. iBMfTWvSJm is going pooh-pooh to reviyajBP mors that she wants OTJjMH^he cast on account of Maril||pMon- roe in ''How to Marry Sriliion-j aire." It was Marilyn who stole the show at the Photoplay Gold! Medal awards dinner. Stories about Ginger Rogers'! marriage to Jacques ^Bergerac re-, ferred to him as wealthy. But now the buzz is that he was work-' ing as a desk clerk at the George V Hotel in Paris when they met. Charles Laughton is poised for a trip to England to star in the film version of "The Hanging] Judge" for producer Michael Powell.' JraSSSl Press I Charles City, Iowa ! [IffiSil" ; "^^l^-lg"^ ..i giij ?╟≤ SUNNY THOUGHT FOR WINTER DAYS?╟÷Joyce Johnson didn't K do anything special?╟÷didn't win k trophy, isn't "Miss Something-: kj or-Ofner." She's just a pretty glfl; relaxing in the sun at a Las j Vegas, Nev., resort hotel. That seemed reason enough for the ji photographer to take a picture with which to cheer the folks who are chattering through another rough northern winter.