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Digital ID
ent001521-143
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I agree.SEQUENCE OP PURSUIT SHOTS 39 88 AS REQUIRED; with the limousine always at least two scenes behind Bashik's car. The scenery Is Increasingly barren; we are venturing deeper and deeper into the low- rent district. EXT., DESERT HIGHWAY WITH SIDE ROAD - DAY 89 Bashlk-s car streaks past the side road,, brakes, turns, roars back to the cutoff and into it. It*s not much of a road, this one. He?╟╓s kicking up a hell of a lot of dus fc?╟? WIPE TO: EXT, SECONDARY ROAD -t DAY 90 This, landscape makes Vasquez Rocks look like Disneyland. ?╟≤Bashik?╟╓s car, crossing it, may be the first motor vehicle through here since the invention of the electric self-starter. EXT. DESERT SPOT - DAY 91 Bashik driving more slowly and looking about. He pulls off the road (if it is_ a road), stops, gets out, looks about and sets out on foot across the howling boonies. EXT. DESERT HIGHWAY - LONG SHOT - DAY 92 The iimoxisine going through at full speed. EXT. KELLY AND SCOTT IN LIMOUSINE - PROCESS - DAY 93 Kelly peering ahead: the other car should be In sight here, but Isn?╟╓t. Scott points out something up ahead and off to one side. EXT. LONG HIGHWAY AHEAD - POV THE MOVING CAR - DAY The cutoff is visible far In the distance. The side road ie almost mapped for us by the dust trail left by Bashik. EXT. DESERT HIGHWAY WITH SIDE ROAD - DAY Limousine swings wide off the highway and Into the dust. 95