Oral history interviews with John Theodore Gilcrease conducted by Robert McCracken on October 09 and 10, 2000 and March 21, 2001 for the Women's Research Institute of Nevada (WRIN) on behalf of the Tule Springs Preservation Committee. Gilcrease opens his interview by discussing his family's lineage and Irish heritage. Gilcrease then explains how his family purchased farm land in the Tule Springs, Nevada area in 1920. He discusses how his family modified and changed the land, their irrigation system, and the animals they bred. Gilcrease goes on to talk about the development of the farm and how the development of Las Vegas, Nevada affected the property. Gilcrease recalls the life of his farm and family from the early the 1900s to the 1960s and talks about other prominent farming families in the area.

Oral history interviews with Judy Corbisiero conducted by Dennis McBride on September 05, 2003; and April 21, July 02, and December 10, 2004 for the Las Vegas Gay, Lesbian, Bisexual and Transgender Archives Oral History Project. In the interviews, Corbisiero recalls her early childhood in New York City, New York, coming out in the late 1970s, and meeting her then-partner, Janice Summers. She describes forming Summercor, Incorporated (a portmanteau of their last names) with Summers to produce women musicians, with a focus on lesbian artists, while living in New York. Corbisiero also talks about musicians she worked with, running political fundraisers during music events, and meeting her next partner, Gudrun Fonfa. She then explains moving to Las Vegas, Nevada with Fonfa in 1983 to promote women's music and culture in Las Vegas and throughout the West Coast.

Oral history interview with Patrice Adams-Fauci conducted by Joyce Marshall on June 19, 1996 for the Las Vegas Women in Gaming and Entertainment Oral History Project. In this interview, Adams-Fauci relates how she traveled to the United States with the Bluebell Girls dance troupe in 1960. She continues talking about life as a dancer, how the rules of behavior and comportment differed in Europe, and how strange it was to see racial prejudice in the entertainment industry in the United States. She ends the interview by explaining that dancers had to quit once they married and how she returned to school and became an interior designer.