On February 26 and 29 of 1980, Leanne Terry interviewed Edwina E. Danzinger (born 1925 in Houston, Texas) about her life in Southern Nevada. Danzinger first talks about her family, specifically her siblings, children, and grandchildren. She also talks about church membership, early housing in Nevada, her husband’s work on the Nevada Test Site, and her family’s hunting practices. Danzinger then describes her involvement in Boy Scouts and hiking, her various positions of employment at the University of Nevada, Las Vegas, how the college campus has changed over time, and how the college students have changed over the years. The two also talk about the changes in the crime rate, the atomic testing, air pollution, and the changes made to the university by the Buckley Amendment.

Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).

In this interview, the cultural power couple recall their early impressions of Las Vegas, their beloved Ninth Street house built by Marion Earl, and the changes that caused them to move when spot zoning destroyed their close-knit downtown neighborhood. Lamar speaks of the founding of public radio KNPR and KCNV, of finding studio space, of obtaining grant money to build on the campus of the (now) College of Southern Nevada, and of acquiring the Peter Shire sculpture that graces the front of the studio. He talks about the vision of Charles Hunsberger, of Hunsberger's fall, and of politically appointed boards of trustees. Pat shares her experience of meeting people in a babysitting co-op and the UNLV Art Department, getting her UNLV Master's degree in public administration, and her work in cultural programming with the City of Las Vegas and with Clark County. She speaks of creating gallery, classroom, and performing space at the City's Reed Whipple building and the Charleston Heights Art Center; of founding the Rainbow Company Youth Theatre; of developing Clark County's Desert Breeze Park, Flamingo Senior Center, and the Wetlands, among others; of placing exhibits of the Clark County Museum at McCarran International Airport; of the Public Arts Commission, the Airport Arts Commission, the Allied Arts Council, and of developing Community Development Block Grant programs for the City of Las Vegas and Clark County. Throughout the interview, Pat and Lamar Marchese exemplify why Southern Nevada got lucky in 1972. As the duo grew in their knowledge of and passion for the arts, they also honed their skills at bringing the arts to the public. And we, the Southern Nevada public, continue to benefit as their legacies live on through public radio, community arts programming, and useful and accessible parks.