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Hal Rothman Faculty Papers

Identifier

UA-00099

Abstract

The Hal Rothman Faculty Papers (approximately 1930-2006) are comprised primarily of research, teaching, and professional papers of Hal Rothman, professor of history at the University of Nevada, Las Vegas (UNLV). The papers include Rothman's research notes, manuscript drafts, conference articles, lecture notes, audiovisual material for his book LBJ's Texas White House, newspaper clippings, and book draft. Material in this collection represents Rothman's time as a UNLV professor and as a graduate student at Wichita State University in Wichita, Kansas.

Archival Collection

Las Vegas Jazz Society Records

Identifier

MS-01039

Abstract

The Las Vegas Jazz Society Records (approximately 1975-2003) are comprised of organizational records including meeting agendas, minutes, and membership statistics of the Las Vegas Jazz Society (LVJS). Included in the collection are issues of the LVJS's newsletter Jazz Notes, promotional materials, blank membership applications, correspondence, information on other regional jazz societies, and photographic prints depicting various events and festivals. A portion of this collection documents LVJS's involvement in saving the KUNV 91.5 FM radio station.

Archival Collection

Edwin "Tony" Wuehle oral history interview

Identifier

OH-02034

Abstract

Oral history interview with Edwin "Tony" Wuehle conducted by David Schwartz on December 21, 2006 for the Boyer Early Las Vegas Oral History Project. In this interview, Wuehle discusses his early life in Hettinger, North Dakota and his career as an educator. He recalls his first experiences playing poker, participating in home poker games while living in Michigan’s Upper Peninsula, and using a pseudonym as a player. Wuehle then talks about writing a book, founding the Gamblers Book Club Press in Las Vegas, Nevada, and writing for religious publications. Later, Wuehle explains the tension between participating in religion and playing poker. He describes Las Vegas poker rooms during the 1960s and 1970s and shares his thoughts on online poker. Lastly, Wuehle discusses why casinos use prop players and his efforts to organize a poker tournament to raise funds for Bay de Noc Community College in Michigan.

Archival Collection

University of Nevada, Las Vegas Arboretum Project Records

Identifier

UA-00043

Abstract

The University of Nevada, Las Vegas Arboretum Project Records are comprised of documents, brochures, and photographs dating from 1976 to 2012 documenting both the creation and operations of the Arboretum at the University of Nevada, Las Vegas (UNLV). The collection includes photographs of planning the Arboretum, the opening ceremony, and aerial photos of the UNLV campus. The brochures include guides to the Arboretum, lists of types of plants grown, and information on the Xeric Garden.

Archival Collection

Klai Juba Wald Architectural Records

Identifier

MS-01033

Abstract

The Klai Juba Wald Architectural Records (2000-2020) are comprised primarily of digital architectural renderings for projects completed by Las Vegas, Nevada architecture and interior design firm Klai Juba Wald Architecture + Interiors. The collection is comprised of renderings for the firm's projects conducted mainly around Las Vegas, but also includes projects around the United States such as the Seminole Hard Rock Hotel and Casino in Florida and Rivers Casino in Illinois. Also included are master plans and presentation slides for projects like the Choctaw Casino in Oklahoma and Live! Casino & Hotel in Maryland. Master plans for projects in Las Vegas include the LINQ, Silverton Casino Hotel, and Hard Rock Las Vegas.

Archival Collection

Carolyn Freeman oral history interview

Identifier

OH-01229

Abstract

Oral history interview with Carolyn Freeman conducted on January 30, 2006 for the Boyer Early Las Vegas Oral History Project. Freeman begins by discussing her upbringing, her father, who was the president of the Japanese American Citizens League, and her early interest in dancing. She also details her experiences as a Japanese American during World War II and being relocated by the federal government. Freeman then describes how she began her career as a dancer after getting a role in a Broadway play in New York City, New York, and her later experiences dancing in productions in Reno, Nevada and San Francisco, California during the 1950s and 1960s. Lastly, Freeman discusses the differences between living in Las Vegas, Nevada compared to California and being offered the chance to dance in a Frank Sinatra show by himself and Sammy Davis Jr.

Archival Collection