It seems counterintuitive that a man who was raised a Mennonite, spoke Pennsylvania Dutch before he spoke English, and was destined to quit school after eighth grade to work on the family farm would grow up to become one of the most progressive and visionary library directors in the United States. His participation in the Building Las Vegas project results from his being responsible for building twenty libraries in Clark County during his 1971–1994 tenure as director of the Las Vegas-Clark County Library District. One of his first controversies was to insist on going to high school after his father demanded he quit. After graduating high school he went to Nigeria on behalf of his church, serving there for five years. Upon returning to the U.S., he found work at the Fort Wayne Library, albeit he was limited by how far he could advance because of his limited education. After attaining his library degree Indiana University at Bloomington he served as director at the Columbia City Library
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Oscar Baylin Goodman (1939- ) is the former mayor of the city of Las Vegas, Nevada, serving 12 years until 2011, when he swore in his wife of over 50 years, Carolyn Goodman. Oscar Goodman is the official ambassador of Las Vegas, and the chairman of the Las Vegas Convention and Visitors Authority (LVCVA) Host Committee. He is also known as one of the best criminal defense attorneys in the United States, and spent 35 years defending alleged Mob figures such as Meyer Lansky, Frank Rosenthal, and Anthony Spilotro. Goodman is the primary visionary and a member of the board of directors of The Mob Museum in downtown Las Vegas, which opened in 2012. Goodman was born June 26, 1939 in Philadelphia, Pennsylvania. He earned his undergraduate degree from Haverford College in 1961 and his law degree from the University of Pennsylvania Law School in 1964. That same year he moved to Las Vegas and in 1965 he was admitted to the Nevada State Bar. He served as Clark County?s chief deputy public defender from 1966 to 1967. Goodman was elected as mayor of Las Vegas for the first time in 1999. During his three terms (the legal limit), he contributed to the economic and cultural development of the downtown area by supporting projects such as the arts district and Union Park, a high-rise residential and business project he helped to secure 61 acres of land for. He helped to begin what he called the ?Manhattanization? of downtown, which included the construction of taller buildings for better use of the area?s prime real estate. In this interview, Goodman discusses the role of Judaism in his life, from childhood to adulthood to parenting his own four children. He touches on his involvement with Temple Beth Sholom, including serving as its president, as well as in local development projects like the Lou Ruvo Cleveland Clinic Brain Health Center, Smith Center for the Performing Arts, and Mob Museum. In addition, Goodman discusses the impact of Jewish residents on the city and its development, and mentions leaders in the gaming industry, legal profession and in politics.
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In this interview, Suzie discusses growing up in Las Vegas, with a strong community of friends, particularly within Temple Beth Sholom. She also talks about her real estate career, both in residential and commercial properties, highlighting some of the successes and challenges. She describes her working relationship with Milton Schwartz, as well her time working with the Greenspuns while selling advertising at the Las Vegas Sun.
Suzie Chenin was born in Cleveland, Ohio, in August of 1949. The next year, her parents, Joseph and Irene Chenin, moved the family to Las Vegas. Her father, a dentist, was stationed at Nellis Air Force Base, becoming the first Jewish dentist in the state ? and only the thirtieth overall. After graduating from Las Vegas High School, Suzie attended Arizona State University. However, she quit school and moved to Los Angeles where she got a job with a large real estate developer. This was her first foray into the industry. A few years later, back in Las Vegas, Suzie got her real estate license, eventually starting her own brokerage firm, Chenin and Associates.
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Roscoe Wilkes was born in Bonanza, Colorado, and moved with his family to Pioche, Nevada for what his sister called a 75-year pit stop. Soon after their move to this rural Nevada town, Roscoe’s mother became a widow, raising two children during the Depression. Like many families in Pioche, the Wilkes’ made due with what they had, and were creative in sustaining their livelihoods. Roscoe has never stood still. Before enlisting in the military, Roscoe worked various jobs, as a PBX systems operator, a lead zinc miner, and grade school teacher, before enlisting. During World War II, Roscoe became a prisoner of war in Romania, and was rescued a few months later when the Germans began retreating. Returning to the United States after his release, he relocated to a base in California, and married. As soon as Roscoe was relieved of his military service, he took advantage of the then new G.I. Bill and enrolled in the University of Southern California School of Law. He immediately took his degree to Pioche, soon becoming its district attorney, and later a judge. He spent 18 years based in Seattle as a federal administrative law judge, hearing cases prosecuted by the Coast Guard. Roscoe ended his 45-year career in law in 1990, and moved to Boulder City, where four generations of Wilkes live.
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This interview is compiled in the bound book version for OH-02270. Born Ffolliott Chorlton in Butte, Montana in 1923, Fluff Le Coque embarked on a career during World War II that would span fifty-five years. Le Coque’s experience as an entertainer started at the age of seven when she began dance lessons during the Great Depression. She expanded her interest in show business at the University of Washington. Attending on a drama scholarship, she performed in theatrical productions and supplemented the scholarship by teaching coordination to university athletes through dance. Le Coque toured as a dancer in a road company during World War II. After the war she came to Las Vegas for the first time. Although she did not consider herself a singer, she performed as a vocalist with the Chuck Gould Orchestra at the Last Frontier. After a brief excursion to Hollywood, she returned to Las Vegas to work at the Thunderbird Hotel as a dancer. It was at the Thunderbird that she became part of the glamour publicity that would help shape the image of Las Vegas. Crowned “Miss Thunderbird,” Le Coque took part in publicity photo shoots designed to attract vacationing customers to the Las Vegas resort casino. While performing at the Thunderbird, Le Coque learned of an opportunity to showcase her talents in a wider arena. She joined a touring company that was preparing to take the production of Hollywood Extravangza to Europe. In Paris, Le Coque took on additional responsibilities in the production end of the business. She served the Hollywood Extravaganza as principal dancer, choreographer, and ballet mistress. On her return to New York, she firmed up her career-long relationship with producers Donn Arden and Ron Fletcher. Le Coque’s association with Arden-Fletcher Productions proved beneficial for an already successful career. She performed as principal dancer for Arden and Fletcher beginning with a six-month engagement at the Lookout House in Cincinnati, Ohio, in the late 1950s Arden wanted her to return to Las Vegas and she accepted immediately. The Las Vegas Desert Inn opened a newly remodeled showroom with Fluff Le Coque as a featured principal dancer. Arden-Fletcher Productions kept a number of performers busy throughout the United States from California to New York. Le Coque, now a valued talent, appeared in the Arden-Fletcher production at the Moulin Rouge in Hollywood. She worked there as company captain and principal dancer for ten years. Following her extended engagement at the Moulin Rouge, she toured the United States and Europe before returning to Las Vegas for good in the late 1960s. Arden again asked her to open a renovated showroom at the Desert Inn and again she agreed. This time Le Coque made Las Vegas her permanent home. She danced until she was forty-five years old and during the later years worked both sides of the stage, as company manager and dancer. Fluff Le Coque retired from dancing in 1970 to enjoy leisure activities and volunteer work. She learned to paint and served as publicity director of the Las Vegas Art Museum. She was wooed out of retirement by Donn Arden, to become company manager of the production show at the new MGM Grand Hotel [later reopened as Bally’s]. At the time of the interview, Le Coque continued to serve as company manager for Jubilee at Bally’s Hotel & Casino. Le Coque’s narrative provides a vivid account of the history of the Las Vegas entertainment industry. In addition to the organization of club circuits during the post-war years, the narrative provides clues about white-black relations during the era. It also informs a wider historical context. Post-war American society underwent significant changes economically, politically, and socially. Expanded work opportunities for women were among those changes. Le Coque’s choice to complete a college education during the 1940s was atypical. Her successful dancing career and later move into production management provides an example of career achievement decades ealier than the majority of American women. By extending her career as a dancer into her forty-fifth year, she resisted the evolving publicity hype that only an ingenue could be a dancer. Her narrative provides a compelling description of both the glamour and physical demands associated with the Las Vegas entertainment industry.
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Part of an interview with David Washington by Claytee White on March 18, 2009. Washington describes how he worked to serve as a role model and helped start the Black Firefighters Association, serving as President for the first two years.
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Author of "A Lady in Boomtown: Miners and Manners on the Nevada Frontier" (see snv002483 - pdf). Published in other formats (http://www.amazon.com/Lady-Boomtown-Miners-Manners-Frontier/dp/B000NZ2WVC).
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