On September 28, 1998, K.J. Evans interviewed former United States Senator Howard Cannon (born 1912 in St. George, Utah) about his life and political experiences. Also present were his wife, Dorothy Cannon, his daughter, Nancy Downing, and another participant identified as Caroline Rose. Cannon first talks about his family background and his parents’ occupations before mentioning his involvement in a music band and his pastime of flying aircraft. He then discusses his first political involvement and mentions his work for the Las Vegas City Attorney’s Office. Evans then asks about Cannon’s service with the Air National Guard and his combat experiences during World War II, specifically on D-Day. The interview then moves to a discussion on some of the work Cannon fulfilled as a senator, particularly military-based projects and black projects, and his work in creating Nellis Air Force Base. Evans later asks Cannon questions about his interaction with presidents, his thoughts on the Vietnam War, his support for civil rights, and his politically liberal stance as a lawmaker. Cannon also provides details on his relationships with Senators Walter Baring and Alan Bible, his interaction with Lyndon B. Johnson, and his campaign against Chic Hecht.

Oral history interview with Jill Roberts conducted by Barbara Tabach and Claytee D. White on March 20, 2018 for the Remembering 1 October Oral History Project. In this interview, Jill Roberts discusses her position as the CEO of the Trauma Intervention Program (TIP) of Southern Nevada. She also delves into her part-time work at the coroner's office as a death investigator and discusses her personal background in Las Vegas, Nevada after she moved to the city in 1977. She describes the role TIP had during the aftermath of the October 1, 2017 mass shooting, where well-trained volunteers were dispatched to hotels, hospitals, and anywhere else the survivors reached in order to provide emotional and practical support. Throughout the interview, Roberts emphasizes that the assistance provided to those in a traumatic event depends on each individual's needs. She shares a few examples of what the TIP volunteers had helped with after the shooting, including listening to the survivors' stories as well as providing information on the situation, helping separated loved ones find each other, arranging travel for some survivors to go back to their homes, and procuring clothes and shoes for those who needed them. Roberts also discusses the gratitude TIP had received after the shooting, including the thank you cards sent by Sandy Hook High School.

Part 1: Interviewed by Stefani Evans. Myron G. Martin, President and CEO, and Donald D. Snyder, Chairman of the Board of Directors, share their memories of the founding of The Smith Center for the Performing Arts from the first non-for-profit foundation formed in 1996. The second iteration led by Snyder in 1999 brought in Martin--former Director of UNLV Performing Arts Center--and created a sustainable business plan for a center for the performing arts that would be accessible geographically and culturally for all segments of Nevada society. Here, Martin and Snyder recall how land, funding, and legislation for The Smith Center depended on the ""power of the project"" and the Snyder-Martin team's ability to overcome skeptics in the public, the Nevada Legislature, the Clark County Commission, the Las Vegas City Council, and the Don Reynolds Foundation. Martin and Snyder satisfied the various requirements for each organization and earned unanimous approval at each stop--in fact, the $50 million donation to The Smith Center was the largest the Don Reynolds Foundation had ever granted largest. That the approvals came on three consecutive days from competing municipal jurisdictions makes the accomplishment even sweeter. Subjects: Las Vegas, NV; Cultural center; Performing arts; The Smith Center for the Performing Arts; The Smith Center; Not-for-profit;; Nevada Legislature; Clark County Commission; Las Vegas City Council; The Don Reynolds Foundation; Fundraising; Planning; Endowment; Part 2: Interviewed by Stefani Evans. Martin, who was the youngest of three boys raised in suburban Houston, Texas, likes to say that in college at the University of North Texas he played for the Atlanta Braves and the Texas Rangers. So he did--as the organist. He earned a Bachelors of Music in piano, organ, and voice and an MBA from Golden Gate University. He came to Las Vegas after a fifteen-year career with the Baldwin Piano Company as executive director of the Liberace Foundation; he later became president of UNLV?s Performing Arts Center and in 1999 he became president of the Las Vegas Performing Arts Center Foundation. Here, Martin and Snyder recall the process whereby they hired architect David Schwarz of Washington, DC, to create The Smith Center's ""timeless, elegant"" look; creating a ""shared vocabulary"" by visiting 14 performing venues in 5 European countries; the City of Las Vegas's RFP that resulted in hiring Whiting-Turner Contracting Company; the exterior art/artists, significance of the bell tower, Founding Fifty(seven), and the ability of the theater to adapt from staging The Book of Mormon to staging a community funeral for two slain police officers. Subjects: The Smith Center; The Smith Center for the Performing Arts; Architecture; Fundraising; Acoustics; Public private partnerships; Request for proposals; Whiting-Turner; Theater Projects Group; vocabulary; Part 3: Interviewed by Stefani Evans. Author Jack Sheehan, joining this third session on The Smith Center in his role as Don Snyder's biographer, explains the way he envisions the place of The Smith Center in the larger context of Las Vegas. Martin and Snyder provide names for the group that grew out of the Call to Action meeting and founded the original Las Vegas Performing Arts Foundation. They share anecdotes of a 2005 trip, wherein they were joined by Las Vegas City Councilman Lawrence Weekly, City of Las Vegas Mayor Oscar Goodman, and consultant to the City of Las Vegas Dan Van Epp to visit City Place and the Kravis Center for Performing Arts in West Palm Beach as an example of a place where a performing arts center was a catalyst for revitalization in an area of underused and underutilized urban land. They discuss opening night, March 10, 2012, /From Dust To Dreams: Opening Night at the Smith Center For The Performing Arts/, which was produced broadcast live on national Public Broadcasting System (PBS) television stations, produced by George Stevens Jr. and directed and produced by Michael Stevens for The Stevens Company; hosted by Neil Patrick Harris; and featuring Jennifer Hudson, Willie Nelson, Merle Haggard, Emmylou Harris, Martina McBride, Carole King, Arturo Sandoval, Joshua Bell, Mavis Staples, Pat Monahan; American Ballet Theater dancers Marcello Gomes and Luciana Paris; also Broadway performers Brian Stokes Mitchell, Laura Osnes, Cheyenne Jackson, Sherie Rene Scott, Montego Glover, and Benjamin Walker. Martin describes how provisions of Nevada SB235--introduced March 6, 2017, signed into law by Governor Bob Sandoval, and became effective October 1, 2017--for the regulation of ticket sales to an athletic contest or live entertainment event affect The Smith Center ticket sales. They talk of providing 3,600 good construction jobs during the recession, of Discovery Childrens Museum, of future development plans for the entire 61-acre Symphony Park parcel, and of a second capital campaign to increase the endowment to $100 million to enable The Smith Center to be economically sustainable.

In 1978 Bill Snyder came Las Vegas for a heavyweight championship fight between his homeboy, Larry Holmes and Ken Norton. During that visit, he saw cranes dotting the cityscape so he returned home and proposed that the family move across country and settle in the desert. His wife, Joy, gave him a year. And as they say, the rest is history. And what am amazing history it is. In this interview, Bill Snyder talks about his life from its beginning in Easton, Pennsylvania, where he discovered the challenge of architecture first by perusing books in the library and then by hands-on construction experience. But his love of art built the foundation to this treasured craft that has allowed him to design homes, office buildings, airport terminals and the McCaw School of Mines on the campus of McCaw Elementary School in Henderson, NV. The projects that Mr. Snyder seems to prize most are those that include the imagination of children. The people who shaped his life are introduced and the impact of his military training is wonderfully expressed. His connection with young people is paramount throughout the oral history that is beautifully documented with images of many of the projects that displayed children's art in an exciting way. Bill and Joy are the parents of two sons. Dana age 36, lives with his wife Christine in Hollywood, California, and works as a voice actor best known for his role as Master Shake on the cartoon Aqua Teen Hunger Force. Their younger son, Mike age 31, owns The Krate, a clothing, music, and art shop in Santa Cruz, California, where he lives with his wife Mandy and daughter Maya. A husband, father, sports car enthusiast, runner, thinker and lover of teaching and trusting young people, Bill Snyder is a brilliant architect and manager of people. He is dyslectic and never expected a school to be named in his honor but the William E. Snyder Elementary School was dedicated in 2001 with overwhelming community support. One of his current goals is to dream an architectural project that rivals the McCaw School of Mines for his own school. I trust that you will learn to love architecture in a different and very profound way as you read this interview just as I did during my conversation with Bill.

Bud Weil worked as a disc jockey in Mexico after serving in the military during World War II. In 1947, he moved to Las Vegas to work at KLAS but after two days he was job hunting. His search landed him at KENO, a radio station owned by Max and Laura Belle Kelch. His was an interview show that afforded him entree to stars performing in town. The list of his favorite interviews includes Sophie Tucker, Sammy Davis, Jack Benny, The Mills Brother, Rosemary Clooney, Leno Home, Joey Lewis and many others. In 1955, he became restless, left the career in broadcasting, and joined Max Kelch as a partner in a new venture for Las Vegas - Musak. This enterprise took him to the doors of every business in town and shortly, he knew everybody. He uses that knowledge in this interview to talk about all aspects of life as the town grew over the years. Today he is a senior statesman of our town, enjoying everything about Las Vegas except the traffic.

Ron Lurie is a product of Las Vegas. Ron Lurie knows Las Vegas. The Los Angeles native arrived in Las Vegas with his parents when he was twelve years old; his father opened Market Town next to White Cross Drug Store. Lurie graduated from Las Vegas High School in 1958 and attended Nevada Southern, where he played baseball and basketball before joining the United States Army Reserves. Returning from training, he began working at a new store, Fantastic Fair. Soon the owner, builder Lloyd Whaley, asked him to manage a new Fantastic Fair. At 24 years of age, he managed the entire Fantastic Fair store, which later became Wonder World. Over time, Lurie would manage three of the four Wonder World stores. In this interview, the former mayor of the City of Las Vegas and former Las Vegas City Council member talks about running for City council because he wanted more parks and ball fields downtown and about his political career, which coincided with the years of explosive growth in the 1970s and 1980s. The current vice president and general manager of Arizona Charlie's also v discusses his careers in the grocery business and in gaming; he speaks to giving back to the community and the changing demography of the area surrounding Arizona Charlie's; he talks of the ways Steve Wynn pioneered an aura of glamour that helped to upgrade Downtown Las Vegas; he recalls the challenges of public safety, regional transportation, flood control, and the Monorail and of civic dreams of a magnetic levitation train that would connect Downtown Las Vegas to Cashman Field. He remembers his parents and his wife; he talks about his children, and he shares vignettes of, among many others, Ernie Becker IV, Bill Briare, Al Levy, Steve Miller, and Bob Stupak. Throughout, Mayor Lurie especially beams when he talks about his family, his friends, his work, Las Vegas, the Boys and Girls Clubs, and baseball. This man loves baseball.