Sign animation: Chasing, flashing, oscillating Notes: The text fascia sign just to the north of the giant glass display illuminates with a background of neon tubing which chases from right to left. The pattern of colors running across are a sequence banks of red, pink purple and blue vertical neon tubing, chase each other creating a pulsating movement of the individual banks of these colors. While they are animating, the channel letters, which spell "Riviera," are dark and proceed to light up one letter at a time. Once all lit they remain lit, until the background stops with all the bars illuminated. Once all the bars are lit, the interiors of the letters turn off one at a time starting on the far right. The giant mirrored section of the building, advertising for the Splash stage show. The sequence can be best described from its dramatic powering up. The entire sign comes alive with a rapid upward chasing pattern covering the surface of the tower. Once alive, small white bulbs grow out of the end of the space on the top and bottom of the end of the "Splash" text. Once all the previous elements are illuminated, the letters in the Splash logo shut off, illuminate one letter at a time in red neon, then the white neon figure of the seal balancing a ball on the end of it's nose, lights up. The neon bordered circular raceway, then animates with the bulbs in the center chasing each other in a clock-wise sequence. Once lit the vast array of white bulbs grown out of the end of the text begin to gently oscillate, as well as the sparse assortment of floating and attached incandescent bulbs on the wall of the tower. Once the bulbs animate for a few seconds, the entire wall chases downward, becoming black as night, except for the Slash logo text. Underneath the entire front side of the western face of the Riviera, the incandescent bulbs which cover the entire surface oscillate in a wildly, while the ringed entablature on the wall animates quietly in comparison. The multi-colored rings of neon tubing chase each other from left to right, chasing the distance then repeating. The sequence then changes direction and chase from left to right. Creating the tops and bottoms of the entablature are raceways lined with incandescent bulbs that chase each other from left to right. On the surface of the west wall incandescent bulbs chase each other along the raceways which run horizontally around the internally lit cabinets. The small vertical raceways which run inside the clear plastic boxes chase each other from top to bottom, but all the raceways are offset to each other by a few seconds. At the North end of the property the signage for the Riviera's, "Nickeltown" gambling attraction, dominates the corner. He animation on the large exploding sculptural fountain lights up the entire corner. The three rocketing pieces of steel are wrapped in repeating bands of their corresponding colors of blue, purple and yellow. All three simultaneously chase from bottom to top, until completely lit. Then they begin to animate in a chasing pattern from bottom to top. After a few moments of chasing, they chase from beginnig to top once more, leaving al the tubes dark in its path. Along the circular entablature, which runs the circumference of the top mass of the fountain, incandescent bulbs chase each other from right to left, but only on the side which faces the casino. The wall, which faces north, contains the multicolored banks of vertical neon bars that animate in a specific pattern. They chase each other from right to left, then only the purple neon tubing illuminates, they chase again, then only the blue neon tubing illuminates. They chase once again, and then only the gold bars illuminate. The bars chase yet one more time, then all of the tubing illuminates, thus ending the sequence. The main entrance to nickel town is adorned with neon text and images, but only the stars higher up on the wall itself animate. The incandescent bulbs elevated above the surface of the mirrored wall, animate in a soft oscillating pattern, adding the twinkling effect. The larger five pointed stars are animated on the interior by a center of oscillating incandescent bulbs, while concentric neon shapes echo outward in the yellow, purple and blue colors seen on the adjacent wall facing north. The smaller snow-flake esque star shapes are alive with oscillating incandescent bulbs. Looking upward along the north face of the closest tower, the giant vertical, Riviera channel letters animate one character at a time, oscillate then shuts off.
Sign animation: Chasing, flashing, oscillating Notes: The text fascia sign just to the north of the giant glass display illuminates with a background of neon tubing which chases from right to left. The pattern of colors running across are a sequence banks of red, pink purple and blue vertical neon tubing, chase each other creating a pulsating movement of the individual banks of these colors. While they are animating, the channel letters, which spell "Riviera," are dark and proceed to light up one letter at a time. Once all lit they remain lit, until the background stops with all the bars illuminated. Once all the bars are lit, the interiors of the letters turn off one at a time starting on the far right. The giant mirrored section of the building, advertising for the Splash stage show. The sequence can be best described from its dramatic powering up. The entire sign comes alive with a rapid upward chasing pattern covering the surface of the tower. Once alive, small white bulbs grow out of the end of the space on the top and bottom of the end of the "Splash" text. Once all the previous elements are illuminated, the letters in the Splash logo shut off, illuminate one letter at a time in red neon, then the white neon figure of the seal balancing a ball on the end of it's nose, lights up. The neon bordered circular raceway, then animates with the bulbs in the center chasing each other in a clock-wise sequence. Once lit the vast array of white bulbs grown out of the end of the text begin to gently oscillate, as well as the sparse assortment of floating and attached incandescent bulbs on the wall of the tower. Once the bulbs animate for a few seconds, the entire wall chases downward, becoming black as night, except for the Slash logo text. Underneath the entire front side of the western face of the Riviera, the incandescent bulbs which cover the entire surface oscillate in a wildly, while the ringed entablature on the wall animates quietly in comparison. The multi-colored rings of neon tubing chase each other from left to right, chasing the distance then repeating. The sequence then changes direction and chase from left to right. Creating the tops and bottoms of the entablature are raceways lined with incandescent bulbs that chase each other from left to right. On the surface of the west wall incandescent bulbs chase each other along the raceways which run horizontally around the internally lit cabinets. The small vertical raceways which run inside the clear plastic boxes chase each other from top to bottom, but all the raceways are offset to each other by a few seconds. At the North end of the property the signage for the Riviera's, "Nickeltown" gambling attraction, dominates the corner. He animation on the large exploding sculptural fountain lights up the entire corner. The three rocketing pieces of steel are wrapped in repeating bands of their corresponding colors of blue, purple and yellow. All three simultaneously chase from bottom to top, until completely lit. Then they begin to animate in a chasing pattern from bottom to top. After a few moments of chasing, they chase from beginnig to top once more, leaving al the tubes dark in its path. Along the circular entablature, which runs the circumference of the top mass of the fountain, incandescent bulbs chase each other from right to left, but only on the side which faces the casino. The wall, which faces north, contains the multicolored banks of vertical neon bars that animate in a specific pattern. They chase each other from right to left, then only the purple neon tubing illuminates, they chase again, then only the blue neon tubing illuminates. They chase once again, and then only the gold bars illuminate. The bars chase yet one more time, then all of the tubing illuminates, thus ending the sequence. The main entrance to nickel town is adorned with neon text and images, but only the stars higher up on the wall itself animate. The incandescent bulbs elevated above the surface of the mirrored wall, animate in a soft oscillating pattern, adding the twinkling effect. The larger five pointed stars are animated on the interior by a center of oscillating incandescent bulbs, while concentric neon shapes echo outward in the yellow, purple and blue colors seen on the adjacent wall facing north. The smaller snow-flake esque star shapes are alive with oscillating incandescent bulbs. Looking upward along the north face of the closest tower, the giant vertical, Riviera channel letters animate one character at a time, oscillate then shuts off.
Daytime and nighttime views of the Las Vegas World Souvenirs signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet. Site address: 3710 S Las Vegas Blvd Sign owner: property leased from MGM Mirage Sign details: Located in the same lowrise building which the Las Vegas Helicopter Tours is located. See Las Vegas Helicopter Tours. Sign condition: Structure 5 Surface 5 Lighting 5 All of the lighting, surface, and structure seem to be intact, and in good repair. The signage appears fairly new, and less worn. Sign form: Fascia Sign-specific description: The Las Vegas World Souvenir shop and market, boasts a collection of signage, almost completely crafted out of channel letters. The basic design is an entablature created on the wall above a pedestrian's head. The entablature runs along the south, east, and north faces of the building. The design is essentially channel letter words separated by channel designed stars. On the south wall the sequence reads, "star shape, 'drinks,' star, 'souvenirs,' star then 'market'." The interior of the star shapes are lined along the contours with yellow neon. The all caps lettering has red neon tubing on the interior. The sequence on the east side of the building reads from left to right, " star shape, 'Souvenirs,' star shape, 'Las Vegas World,' star shape, 'drinks,' then another star shape." The words "souvenir" and "drinks" are spelled in the same text and size as the south side, while the phrase "Las Vegas World" is larger fulfilling most of the height of the entablature. The north side of the building is similar to that on the south. This side reads , "Souvenirs, star shape, 'Market,' star shape, 'Film,' and another star shape." On the wall below the pediment closed face channel letters spell two phrases. The black channel letters are faced with red translucent faces. The first phrase reads , "Daily Grand Canyon Flights," in all caps. The second reads "Nightly strip rides in all capitals. Sign - type of display: Neon; Incandescent Sign - media: Steel; Plastic Sign animation: Chasing Sign manufacturer: Sign Systems, Inc Sign - date of installation: 1996 Sign - thematic influences: There is no real present theme evident in the appearance other than the Emblem of the American flag crafted in neon on the front of the building. The incandescent bulb lined raceways and bulb filled channel letters, placed within a pediment hanging above the pedestrians head, posses a theme in a sense. It is a common occurrence to see such a combination of lighting among the strip to designate an establishment so its theme cold be considered to be that of Las Vegas. It's artistic significance can only be linked to such a trait. It is one of the most unique properties considering its function. Yes there are many facilities which offer tours but, this is the only one which provides helicopter tours that the pedestrian may watch take off. It is also one of the only establishments where the American flag is represented on the exterior in neon. It is also one of the only establishments where the incandescent bulb lined raceway is shaped into arrows. An interesting use of the most common adornment of exterior surveyed signage. Surveyor: Joshua Cannaday Survey - date completed: 2002 Sign keywords: Chasing; Fascia; Neon; Incandescent; Steel; Plastic
The Donna Silva Lighting Design Plans (1986-1996) contain blueprints and schedule binders for a number of projects Silva worked on in Las Vegas, Nevada including the New York-New York Hotel & Casino, The Orleans Hotel & Casino, Golden Nugget, and the MGM Grand Hotel. Also included are lighting plans for the Foxwoods Resort Casino (operated by the Mashantucket Pequot Tribal Nation) in Connecticut, Caesars Atlantic City, and Players Island (now CasaBlanca Resort) in Mesquite, Nevada.
The Golden Steer Steakhouse sign sits at 308 West Sahara Avenue. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet. Site name: Golden Steer Steak House (Las Vegas, Nev.) Site address: 308 W Sahara Ave Sign owner: Dr. Michael J. Signorelli has owned it since 2001 after purchasing it from the original owners Sign details: Opened 1958, and started expanding in the 1970's by buying out neighboring shops. They redesigned their interior in the 90's but still kept it true to the original design. The Rat Pack was known to frequent this steakhouse and even have a dedicated booth to them. Tony Spilotro, Elvis Presley and Nat "King" Cole were a few of the many famous customers. This is the Oldest Steakhouse in Las Vegas, and still maintains their original old Vegas dining style. Sign condition: 4-The sign looks as though it has aged, but it has done so gracefully Sign form: Pylon with sculptural element and entrance sign on building Sign-specific description: The Pylon sign has the main logo stating "Golden Steer Steakhouse" on a yellow sign with a black border. The black border has yellow/gold incandescent light bulbs with a small gold Fleur-de-Lis on the top. Under the main logo there is a shelf/stage holding a golden sculptural steer. The sign above the entrance is a wrap around yellow sign similar to their pylon sign with their logo and an image of a steer in between the words Golden and Steer. They also advertise Prime Rib and Seafood on the wrap around sign. Sign - type of display: Incandescents surrounding all of their "reader board" type signs, no neon tubing Sign - media: Plastic and steel Sign - non-neon treatments: Reader board type plastic for for all the wording Sign animation: Chasing: Notes: ncandescent light bulbs Sign environment: On West Sahara a few blocks West of Las Vegas Blvd. Sign manufacturer: Wright Signs Sign designer: Origninal Steer from the 60's and John Burke said the record of the designer was lost Sign - date of installation: Pylon sign-1960's but refabricated around 2015 to its original condition, but still original steer. Sign above entrance still from the 1970's. Sign - date of redesign/move: Pylon sign-1960's but restored around 2015 to its original condition, but still original steer. Sign above entrance still from the 1970's. Sign - thematic influences: Sign shows old west type font. The Golden sculptural steer helps show it is a steakhouse but one that is top of the line since their sign is golden. Sign - artistic significance: Opened in 1958, still had the prominent old west/ ranch theme that was popular in Vegas in the 1950's. Though the interior was classy their signage shows the old west cowboy style. Survey - research locations: Assessor's page, Golden Steer website https://www.goldensteerlasvegas.com/our_history.html , Telephone conversation with John Burke the General Manager of the restaurant Survey - research notes: John Burke has a lot of great info on their signage as well as their property. Also the Golden Steer website had a great history of the property. Survey - other remarks: Some of the older Golden Steer signage is in the Neon Museum. Surveyor: Emily Fellmer Survey - date completed: 2017-07-28 Sign keywords: Sculptural; Plastic; Steel; Incandescent; Chasing; Reader board; Building-front design; Pole sign
UNLV University Libraries Collection of Architecture Drawings contains original hand-drawn architectural drawings, print reproductions, computer generated prints, and board-mounted artist renderings dating between 1926 and 2003. The collection primarily focuses on Las Vegas, Nevada, but also includes projects throughout Nevada and other states including Utah, Arizona, California, Mississippi, and Colorado.
Promotional video for Stardust Hotel and Resort showing amenities including the pool, dining options, interior of hotel rooms, sports and gaming, and various entertainment programs available; voiceover describing everything while short clips show onscreen, ends with a phone number to call; same ad runs twice. Second segment is promotional video for the Meadows Mall Christmas display with the slogan of "Meadows Mall means Christmas"; second segment appears to be b-roll for the same Christmas village promotional video with music playing over the same shots of the holiday display. Third segment is Monte Hale appearing in a promotional video for the Frontier Hotel; he walks through the hotel, dining, entertainment options while in Western-style clothing and at times, riding a horse. Same Meadows Mall clip runs again. Original media U-matic S, color, aspect ratio 4 x 3, frame size 720 x 486. From the Production Company Audiovisual Collection (MS-00930) -- Digitized audiovisual material file.
The storefront window of Woodruff's Basic Photo Shop. Some of the advertisements in the window include, "Hodak film developing printing enlarging", "View-Master as advertised in Coronet" and "View-Master 3-Dimension Viewer".