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Alpha Kappa Alpha Sorority 76th Far West Regional conference program (MGM Grand Hotel)

Date

2005-05-18 to 2005-05-22

Description

From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Ivy Leaf magazines and event souvenir programs file.

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Photographs of La Concha sign, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime and nighttime views of the La Concha Motel sign on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 2955 S Las Vegas Blvd
Sign owner: Edward Doumani
Sign details: The La Concha is located north of the Riviera hotel Casino, just past the giant glass wall advertising for Splash. The La Concha double sided ground sign, sits close to the street on the east side of the strip, facing north /south. Directly to the east the origin of the signs shape resides in the form of the front structure of the La Concha's lobby structure. The sweeping elliptical roofline creates a structure dripping with the flavor of outlandish 50's-60's expressionistic modern design. The roadside ground sign reflects this shape actually mimicking it in a stylized silhouette of itself. The two icons are separated by a small but busy parking lot that expands north of the La Concha to house other similar style structures. The wings of the hotel, which extend out behind the main lobby, are a rather stark and plainly rectangular form, compared to the front portion of the lot.
Sign condition: Structure 4 Surface 4 Lighting 4 Notes: Considering the age of the property and the sign, it is in great condition, everything is intact, but not perfect.
Sign form: Pylon
Sign-specific description: The sign resides in a pleasant spot of green grass, among the concrete and black top surfaces. A rectangular base, painted a light hue of blue and gold, supports a double-sided sculpted cabinet in a three-pointed crown, which is the stylized profile of the building in sits in front of. Below the main cabinet a triangular internally lit message center has been added, as well as two more, flat rectangular cabinets on the north and south sides. The cabinets are adorned with text that advertising for car rentals located in the same neighboring lot. Off of the west side of the cabinet a small circular cabinet is cantilevered off of the edge. It is an internally lit marker, noting that color television is available inside. The surface of the actual cabinet is painted red, and is somewhat faded. The section of the cabinet that would be dedicated to the low-lying portions of the La Concha's roof are addressed in white. The "La Concha" is spelled across the front of the sign in white text outlined in blue. The text is designed specific to the sign, for the capital L and C are shaped to match the contours of the crowns of the sign. The rest of the script also takes on some of the same stroke of the manner. Motel is spelled in the same coloring across the bottom right hand portion of the signs face, in block text. The very bottom portion of the cabinet is a black painted horizontal extension with edges that angle back into the body of the sign. The words "vacancy' are written across the surface of the sign to the right hand side. No is spelled on the left, but only in neon. When illuminated the main text is lined with a light electric blue, while the edges, and the top contours are lined with a pink and fuchsia glowing borders. The words "vacancy" and "motel" are lined in an orange, amber colored, warm tubing.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: none
Sign environment: The La Concha sits just to the south of the Riviera's giant glass wall. Headed south, the property comes into view, being a quiet transition from the extreme nature of the Riviera. The sign sits in a black top expanse that meanders back into the rest of La Concha's property. The base of the sign is surrounded with plants and curbing, firmly rooted into the urban mainstream of the neighboring street.
Sign manufacturer: YESCO
Sign - thematic influences: The theme of the La Concha can be drawn directly from 1950's and 60's modern design. Such curve can be seen signs of the decade for example the original Dunes pylon displays elements of such curve and swell. In Jorg Rugemer's Lost Las Vegas, there is a picture of a 60's era automobile sitting next to the building. It is used to show the influences of the structures design present in the design of something as common as the automobile. It is reminiscent of the protruding fins and large eye like taillights seen on such autos. The sign itself is an interpretation of the building in a silhouette form, so it's angle draw from the same pool as well. The coloration of the neon is also reminiscent of the era. The turquoise, vermilion and red are reminders of such properties as the original Flamingo, and the Algiers.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Neon; Incandescent; Backlit; Steel; Plastic; Graphics; Paint

Mixed Content

Carmon Meswarb interview, April 15, 1976: transcript

Date

1976-04-15

Description

On April 15, 1976, Judy Hammer interviewed Carmon Meswarb (b. February 9, 1932 in Cedar Falls, Iowa) about his life as a musician in Las Vegas, Nevada. Meswarb discusses how he ended up in Las Vegas, the musicians union and his time playing in a relief band. Meswarb also delves into the different entertainment acts of the 1950s and 1960s, the big-name performers, the city’s showgirls and racial segregation in entertainment. Moreover, Matson talks about the changing landscape of the city, residential areas and the changed attitude of the Strip. The interview ends with Meswarb discussing the short stint of Broadway shows on the Las Vegas Strip.

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Transcript of interview with Juanita Kilburg by Vincente C. Camacho, March 7, 1981

Date

1981-03-07

Description

On March 7, 1981, Vicente C. Camacho interviewed accounting clerk, Juanita Kilburg (born September 25th, 1923 in Los Angeles, California) on the second floor of the UNLV Dickinson Library. Kilburg explains how her family first moved to Southern Nevada and her father’s ties to the railroad. She then goes on to explain the growth of the military and Nellis Air Force Base. The interview concludes with a discussion on her work with the American Legion service organization.

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Transcript of interview with Mary Kreuzer by Patricia Kohlman, December 15, 1975

Date

1975-12-15

Description

On December 15, 1975, Patricia Kohlman interviewed Mary Kreuzer (born 1923 in Las Vegas, Nevada) in her home in Las Vegas. The two discuss Kreuzer’s childhood, as well as the different addresses that she’s lived at in Las Vegas. The interview concludes with a discussion on entertainment and small businesses before the population boom in Southern Nevada.

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Transcript of interview with James Bonnell by Gerald L. Conner, February 22, 1977

Date

1977-02-22

Description

On February 22, 1977, James Bonnell interviewed Gerald L. Connor (born 1930 in Boston, Massachusetts) about his experiences in Nevada and his work in education. Connor first talks about his move to Nevada while he was a member of the United States Air Force. He then discusses his education, including that at the University of Nevada, Las Vegas, and also describes his church membership. Connor later talks about changes in the schools and school district, the growth of gambling and properties located in Downtown Las Vegas and the Las Vegas Strip, and the early atomic tests at the Nevada Test Site. He also describes in detail his political activity and involvement with the Democratic Party, including his work with candidates for the offices of Nevada Governor and United States Senator. Towards the end of the interview, Connor talks about events such as Helldorado, the growth of the city over time, and his thoughts on the future of Las Vegas.

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