The Wayne Cronister Photograph Collection depicts towns in Southern Nevada from 1905 to 1950. The photographs primarily depict Fremont Street in Las Vegas, Nevada and the construction of the Hoover (Boulder) Dam on the Colorado River. The photographs also include the Union Pacific Railroad Depot in Las Vegas, Nevada, the abandoned town of Rhyolite, Nevada, and a mining camp in El Dorado Canyon.
Betty [Rosenthal] Bunch began dancing as a child. By the time she was nine years old she decided she would have a dancing career. At 18 years she began to work in stock theatre productions. Within a short time, she had joined the Moro-Landis dancers. She landed her first job in Las Vegas in 1956 at the Sahara Hotel as part of the opening line for Donald O'Connor. Following the Sahara, she worked as a dancer at the Riveria, and then returned to the Moulin Rouge in Hollywood. In 1961 while vacationing in Las Vegas, she landed a job dancing at the Dunes. She continued to dance, sing and do comedy until after the birth of her second child. At that time, she retired from the Las Vegas showroom, but not from show business. Her involvement in both film and stage has remained rich and varied. This interview focuses on the time Betty spent performing on the Las Vegas strip, including her long involvement with the acclaimed afternoon show Bottoms Up. The interview provides information on workin
On April 6, 1976, collector Beatrice Scheid interviewed housewife Velma Holland (born October 17th, 1903 in New Market, Iowa) in her home in Boulder City, Nevada. This interview covers her early life in Boulder City. Mrs. Holland, Connie Degennes, and Beatrice Scheid are present during the interview.
In this interview, Arlene discusses her family and important friendships; her relations with and impressions of the disparate Las Vegas Jewish communities; the meaningful ways her Jewish relationships in Duluth, Winnipeg, and Las Vegas intertwine; her theatrical, professional, and philanthropic work; the reasons she and Jerry became active Zionists; and their support for Israeli causes. Her liberal sprinkling of Yiddish terms enriches her speech as it exemplifies her deep cultural attachment to and identification with her Jewish heritage, despite the fact that her wide and diverse circle of friends remains predominantly non-Jewish.
Actor, director, friend, mother, producer, wife, and volunteer extraordinaire Arlene Piekoff (now Blut) arrived in Las Vegas in 1971 with two young children and husband, Michael Peikoff, who was opening a surgical practice. Arlene was born and raised in Duluth, Minnesota, where she attended a Conservative Jewish temple but had mostly non-Jewish friends. She met Michael at the University of Minnesota, and they married before he began medical school in Winnipeg, Manitoba, Canada. Arlene and Michael followed his residencies and fellowships to California, Michigan, and Manitoba before they came to Las Vegas Through her brother in law and Ayn Rand?s intellectual heir, Leonard Peikoff, Arlene was exposed to Ayn Rand Objectivism, a philosophy that still influences her political outlook. After her 1975 divorce she began working at the Jockey Club; founded the Meadows Playhouse, Las Vegas?s first professional black box theater; and started Renta Yenta, the valley?s first full-service event planning business. In 1980 she married tax attorney Jerry Blut in a Renta-Yenta-produced, Fiddler-on-the-Roof-themed wedding at Paul Anka's Jubilation Restaurant.
In this interview, Mimi Katz discusses growing up in the Boston area and her schooling, and moving to Washington, D.C. working as a physiotherapist. She returned to Boston and met her husband, and she talks about moving to Las Vegas and adjusting to life here. They became involved at Temple Beth Sholom, and Mimi worked as a conventions coordinator at the Sands and the Sahara. She discusses moving around in Las Vegas from an apartment to a house in the John S. Park neighborhood, working for the Jewish Federation, and helping to develop the Holocaust education program with Edythe Katz, conducting oral history interviews with survivors. She continued working at the Convention Center in the 1980s, and is involved in the Lou Ruvo Center.
Everyone knows her as Mimi. She was born Miriam Green to immigrant parents in Boston, Massachusetts, in 1926. As a youngster she danced, excelled at school and enjoyed an abundance of sports. To pay for her higher education at Massachusetts School of Physiotherapy she worked at Raytheon Manufacturing. In 1957 she married George Katz who swept her away to their honeymoon in Las Vegas. It's a story that she loves to recall-they never left. She sent for her things and energetically settled in to her new hometown and marriage. Mimi found employment with the Clark County School District, began having children (three daughters), and making fast new friends. Many of these friends were from the founding days of Temple Beth Sholom, which roots her to the history of the local Jewish community. In addition, for a decade she worked in community relations for the Jewish Federation. She valued community activism and volunteered over the years for many organizations; such as Easter Seals, Jewish War Veterans, Parent Teachers Association and the Lou Ruvo Center for Brain Health, and many more organizations over the subsequent decades.
On March 12, 1977, Lance Kenny interviewed realtor, Doris Evans (born in Dexter, Missouri) at her place of business, Doris Evans Realty, located at 1100 Cahlan Drive, Las Vegas, Nevada. This interview covers Boulder City and Las Vegas [1937-1977]. During the interview Doris discusses real estate, local hotels, early transportation, and social recreation. She also mentions the nuclear tests, crime, environmental changes, and marriage and family life in Boulder City and Las Vegas. Doris’s business partner, Patty (Renette Beringer), is also present during the interview and helps Doris recall the year they started Doris Evans Realty in Las Vegas, Nevada.