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Photographs of McCarran Field signs, Las Vegas (Nev.), 2002

Date

2002
2017-09-08

Description

Photos show McCarran Field signs during the day. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site address: 6005 S Las Vegas Blvd
Sign owner: McCarran International Airport
Sign details: On the south end of the Strip, the very last sign on the east side before you arrive at Sunset Blvd Facing West the two stone pylons are set approximately fifty feet off of the street at the end of a dual-lane stretch of pavement separated by an island of grass. The banner marquis between the two pylons stretches over this area of grass.
Sign condition: Structure 3 Surface 3 Lighting 4 Notes: The surface of the pylon is in good shape considering its age and its environmental condition. It is essentially left to fend for itself against the elements, being in the flat expanse of an airfield. The stone, plaques, and paint treatment are all badly worn, with the stone pylons, appearing the least worn.
Sign form: Pylon
Sign-specific description: The original McCarran Air Field entrance is constructed of two masonry pylons sit on an island of grass, and serve as an entrance to the private Hughes executive airport terminal. Each individual tower is adorned with a propeller attached to the front and the representation of a bird's wing crowning the tops Both facets are constructed of steel. When facing the structures the left has a plaque on the bottom section with the inscription "1948" while the one on the right reads "Las Vegas". Between the two pylons a stretch of text in white channel letters and white neon, large text in the old "Frontier style text reads McCarran Airport. The signage sits independently on top of a sturdy connecting steel cabinet, which supports the words "executive terminal" in smaller channel letters, with white neon. The cabinet is a painted blue horizontal plane tapering wider on either end in rounded profile patterns. The wings are outlined in pink neon, while the propellers are outlined in rose neon with a circle of white in the middle.
Sign - type of display: Neon
Sign - media: Masonry
Sign - non-neon treatments: Paint
Sign animation: none
Sign environment: The surrounding area is rather dark due to the wide expanse of the airfield which stretches out behind the sign. It truly is a last marker for the end of the Strip, and stands alone. Even though it is in close proximity to the major strip resorts of the Four Seasons as well as the Mandalay Bay and various small roadside hotels, it seems to stand in solitude.
Sign - date of installation: 1948
Sign - date of redesign/move: The blue banner of steel and white letters was added after its initial construction.
Sign - thematic influences: The masonry pylons are constructed in an adobe style masonry reminiscent of the desert landscape surroundings. Designed for the airport, the appendages stem obviously around the theme of flight. This may be denoted from the propeller and the wing. The juxtaposition of the two elements, one being the method of flight in nature and the other man made, serves as a reminder of mans fascination with flight. The added banner's text is in the pioneer fashion of the original Last Frontier.
Sign - artistic significance: Opened in 1948, the sign was intended for use as a marker for the endpoint of the Strip. " It was part of the city's expanding policy creating a jet-scale entrance for the city," Jorg Rudemer from Lost Las Vegas. Artistic significance also lies in the combination of materials using masonry, steel and, neon. The piece successfully combined these elements to provide an architecturally solid design by day, which was cohesive with its surrounding landscape. A metamorphosis takes place at night as the sign is transformed into a glowing specter of its daytime counterpart. The surrounding area is rather dark as the pylon rises up out of the darkness as a neon marker for the property. The illuminated wing and propeller stand out as the significant and successful partners in the world of flight.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Neon; Masonry; Paint

Mixed Content

Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter calendars

Date

2003

Description

From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.

Text

Transcript of interview with Doug Unger by Barbara Tabach, August 26, 2014

Date

2014-08-26

Archival Collection

Description

Interview with Doug Unger by Barbara Tabach on August 26, 2014. In the interview, Unger discusses his schooling, his family's mattress business, and his endeavors in the company and the mattress industry in Las Vegas. Unger becomes involved in Holocaust education and the Sperling Kronberg Mack Holocaust Resource Center.

Doug Unger was born in Cleveland, Ohio, and grew up working summers in a mattress factory, a family business started by his maternal grandfather. After graduating from high school in Cleveland, Doug attended the University of Cincinnati until moving to Steamboat Springs, and enrolled in Denver University, though ended his college career one class away from graduation. Eventually, Unger moved back to Cleveland, then to Las Vegas. In 1976, Dough bought Supreme Mattress and moved to Las Vegas to build his new business. Outside his successful career, Doug was always an active member in the city's Jewish community. He joined Congregation Ner Tamid, where he was a trustee. He became involved with the Jewish Federation, serving as treasurer and later as president. When he moved to Reno, Doug joined Temples Sinai and Emanu-el, and also became heavily involved with Guide Dogs for the Blind Friends Committee, serving as its director for a period of time. He was also the co-chair of the Governor's Advisory Council on Education Related to the Holocaust (GAC). Doug was instrumental in establishing the Library for Holocaust Studies as a successful organization, independent of the Jewish Federation. The Library is now located in its own, donated space, run by trained staff, and receives $200,000 from the state biennially.

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