Search Results
David Ober interview, October 11, 2017: transcript
Date
2017-10-11
Archival Collection
Description
Tucson, Arizona, native David Ober moved to Las Vegas twice. He arrived reluctantly the first time in 1978 with his parents as a high-school student, when his father, Hal Ober, came to Las Vegas to begin building and marketing the U.S. Home (now Lennar) brand. While the elder Ober soon left U.S. Home to open his own home-building business, R.A. Homes, his youngest child left Las Vegas shortly after his high school graduation to return to his native Tucson, follow in the footsteps of his siblings, and attend the University of Arizona. After graduating from the University of Arizona David Ober opened his own mortgage company and began building a life in Phoenix. In the late 1980s he agreed to take a large pay cut, return to Las Vegas, and learn his father's business from the ground up. At the time, Hal Ober was developing his award-winning, master-planned community, Desert Shores. David Ober, the youngest of the five children of Hal and D'Vorre (Dee) Ober, agreed to participate in the
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University of Nevada, Las Vegas law school establishment: correspondence
Date
1973
Archival Collection
Description
Folder from the Flora Dungan Papers (MS-00193) -- Series 4. University of Nevada Regents Material.
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Alan Stock oral history interview: transcript
Date
2017-12-27
Archival Collection
Description
Oral history interview with Alan Stock conducted by Barbara Tabach on December 27, 2017 for the Remembering 1 October Oral History Project. In this interview, Alan Stock discusses moving to Las Vegas, Nevada in 1999 for his job as a radio talk show host for KXNT. Stock describes the broadcast that covered the October 1, 2017 Las Vegas mass shooting from 11 PM on that night until 9 AM the next morning. He talks about some of the calls the station received from various members of the community, including survivors of the shooting, families of those at the event, people on lockdown in the nearby hotels, doctors, and general listeners. Stock describes some of the topics discussed on the broadcast, such as what was currently happening on the Las Vegas Strip, stories of the aftermath, and the support needed from the general public. Other topics include gun control and conspiracy theories. He discusses the impact this and other shootings would have on public affairs, including tighter security in daily living and public gatherings. He compares security in the United States to security in Israel and other countries, focusing on the idea of unconcealed guns worn in public. Throughout this interview, Alan Stock explains that the radio station's goal was to provide accurate information to the public during the aftermath of the October 1, 2017 mass shooting.
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Transcript of interview with Fluff LeCoque by Joyce Marshall, May 5, 1997
Date
1997-05-05
Archival Collection
Description
This interview is compiled in the bound book version for OH-02270. Born Ffolliott Chorlton in Butte, Montana in 1923, Fluff Le Coque embarked on a career during World War II that would span fifty-five years. Le Coque’s experience as an entertainer started at the age of seven when she began dance lessons during the Great Depression. She expanded her interest in show business at the University of Washington. Attending on a drama scholarship, she performed in theatrical productions and supplemented the scholarship by teaching coordination to university athletes through dance. Le Coque toured as a dancer in a road company during World War II. After the war she came to Las Vegas for the first time. Although she did not consider herself a singer, she performed as a vocalist with the Chuck Gould Orchestra at the Last Frontier. After a brief excursion to Hollywood, she returned to Las Vegas to work at the Thunderbird Hotel as a dancer. It was at the Thunderbird that she became part of the glamour publicity that would help shape the image of Las Vegas. Crowned “Miss Thunderbird,” Le Coque took part in publicity photo shoots designed to attract vacationing customers to the Las Vegas resort casino. While performing at the Thunderbird, Le Coque learned of an opportunity to showcase her talents in a wider arena. She joined a touring company that was preparing to take the production of Hollywood Extravangza to Europe. In Paris, Le Coque took on additional responsibilities in the production end of the business. She served the Hollywood Extravaganza as principal dancer, choreographer, and ballet mistress. On her return to New York, she firmed up her career-long relationship with producers Donn Arden and Ron Fletcher. Le Coque’s association with Arden-Fletcher Productions proved beneficial for an already successful career. She performed as principal dancer for Arden and Fletcher beginning with a six-month engagement at the Lookout House in Cincinnati, Ohio, in the late 1950s Arden wanted her to return to Las Vegas and she accepted immediately. The Las Vegas Desert Inn opened a newly remodeled showroom with Fluff Le Coque as a featured principal dancer. Arden-Fletcher Productions kept a number of performers busy throughout the United States from California to New York. Le Coque, now a valued talent, appeared in the Arden-Fletcher production at the Moulin Rouge in Hollywood. She worked there as company captain and principal dancer for ten years. Following her extended engagement at the Moulin Rouge, she toured the United States and Europe before returning to Las Vegas for good in the late 1960s. Arden again asked her to open a renovated showroom at the Desert Inn and again she agreed. This time Le Coque made Las Vegas her permanent home. She danced until she was forty-five years old and during the later years worked both sides of the stage, as company manager and dancer. Fluff Le Coque retired from dancing in 1970 to enjoy leisure activities and volunteer work. She learned to paint and served as publicity director of the Las Vegas Art Museum. She was wooed out of retirement by Donn Arden, to become company manager of the production show at the new MGM Grand Hotel [later reopened as Bally’s]. At the time of the interview, Le Coque continued to serve as company manager for Jubilee at Bally’s Hotel & Casino. Le Coque’s narrative provides a vivid account of the history of the Las Vegas entertainment industry. In addition to the organization of club circuits during the post-war years, the narrative provides clues about white-black relations during the era. It also informs a wider historical context. Post-war American society underwent significant changes economically, politically, and socially. Expanded work opportunities for women were among those changes. Le Coque’s choice to complete a college education during the 1940s was atypical. Her successful dancing career and later move into production management provides an example of career achievement decades ealier than the majority of American women. By extending her career as a dancer into her forty-fifth year, she resisted the evolving publicity hype that only an ingenue could be a dancer. Her narrative provides a compelling description of both the glamour and physical demands associated with the Las Vegas entertainment industry.
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Flora and Stuart Mason Photographs and Event Programs
Identifier
MS-00694
Abstract
Collection is comprised of photographs of Las Vegas, Nevada community leaders Flora and Stuart Mason and three event programs from Temple Beth Sholom (Las Vegas, Nevada). Materials date from approximately 1965 to 2010.
Archival Collection
C. A. Earle Rinker Photograph Collection of Goldfield, Nevada
Identifier
PH-00350
Abstract
The C. A. Earle Rinker Photograph Collection of Goldfield, Nevada (approximately 1900-1915) contains individual black-and-white photographic prints, photographic albums, black-and-white and tinted postcards, and photographic negatives that document the history of early twentieth century Goldfield, Nevada. The images include photographic prints of Goldfield and surrounding areas during its peak years of 1906-1910; postcards showing scenes of Goldfield, Tonopah, and other areas in central Nevada; and negatives that contain images of Rinker's family and homelife in Indiana and Illinois.
Archival Collection
Stuart and Flora Mason Photographs
Identifier
PH-00370
Abstract
The Stuart and Flora Mason Photographs (1940-1999) contain photographs of hotels, casinos, and other buildings constructed by Taylor International Corporation, which was owned by the Mason Family. The photographs depict the Aladdin, Venetian, Tropicana, Riviera, MGM Grand, and International hotels and casinos in Las Vegas, Nevada. The photographs also depict buildings in Miami and Coral Gables, Florida, and San Juan, Puerto Rico.
Archival Collection
Jean Ford Papers
Identifier
MS-00025
Abstract
The Jean Ford Papers (1958-1996) include political documents, campaign materials for Jean Ford's political campaigns, and materials pertaining to campaign issues such as health services, general improvement districts, and parks and recreation. There is extensive material on Red Rock National Conservation Area, Lake Mead National Recreation Area, and the National Issues Forum. Women's issues cover the years 1964-1981 and contain information relating to the League of Women Voters, Equal Rights Amendment (ERA), and International Women's Year (IWY), as well as Anti-ERA and Anti-IWY materials.
Archival Collection