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Transcript of interview with Laura Sussman and Wendy Kraft by Barbara Tabach, February 17, 2016

Date

2016-02-17

Description

They've been referred to as the two Jewish mothers who own a funeral home. At first glance that seems too simple a description. However, it is how they arrived at this description that tells a story of two women who moved here in the late 1990s and whose paths crossed as they became part of the Jewish community of Las Vegas. Laura Sussman arrived first. It was 1997. The Jewish Community Center, a JCC without walls as Laura puts it, hired her as its first executive director. She was from Ohio where there was a robust Jewish tradition. She was director for eight years; then executive director at Temple Beth Sholom. Wendy Kraft moved to the valley in 1999. She was a stay at home mom from Boston, who was accustom to volunteering in the Jewish community. Knowing no one and on the brink of divorce, the Jewish community became her life, a way to build a network of friends and keep her occupied just as it had been in Boston. The two women met through their work with the JCC and love followed. Several years later, in 2009, so did their new business, Kraft-Sussman Funeral and Cremation services. By February 6, 2015, Laura and Wendy had married. They had already formed a family with each other and their three daughters, Leah Sussman, Emma and Elyse Kraft. In this interview they discuss their joint sense of purpose that includes love of family, dedication to the Jewish community, pride in the LGBT identity, and providing caring services to those at the time of funeral services. They talk also of Jewish traditions related to death, the Jewish burial society known as Chevra Kadisha, and challenges of their industry. They share feelings about nonprofits and how they value being actively involved in the community.

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Transcript of interview with Esther Toporek Finder by Barbara Tabach, June 8, 2016

Date

2016-06-08

Description

Esther Toporek Finder is a professor of psychology and has lived in Las Vegas, Nevada since 2010. She was born May 28, 1953, in Chicago, Illinois, and moved to Washington D.C. in 1979 after graduating with her Masters from the University of Chicago. While in Washington D.C, Finder was able to jump start her career as an oral historian recording Holocaust survivor stories with the U.S Holocaust Memorial Museum and the Shoah Foundation. Esther Finder is a second generation Holocaust survivor. Her passion for Holocaust education and its representation in society has led her to many opportunities to teach, facilitate, educate, create and contribute to many survivor oriented groups such as The Generation After where she was President for 15 years, the Holocaust Era Assets Conference as representation of the American survivor community, as well as the creation of the Generations of the Shoah International group in October 2002. When Finder moved to Las Vegas, she quickly and deeply involved herself in the Las Vegas Holocaust survivor community. She has been integral with Nellis Air Force Base?s Days of Remembrance, the opening the Generations of Shoah Nevada Chapter, and partnering with the World Federation of Jewish Child Survivors of the Holocaust and Descendants to bring conferences to the Las Vegas Valley. In addition, she has been an organizer of commemoration programs for students attending UNLV and schools within the Clark County School District. Her involvement with the Governor?s Advisory Council on Education Relating to the Holocaust and the television series Eyewitness to History have highlighted the Holocaust survivors living in Las Vegas. In this interview, Finder discusses her childhood as well as the paths that led her to realize her passion for the Holocaust survivor community and her deep association with the community. She shares her experiences interviewing survivors and second generation survivors giving a deeper insight into the stories that they have shared with her over the years. In addition, she reflects on her long reach within the survivor community and brings to light the foundation of family being a survivor gives. Finder highlights the traveling, teaching and community service opportunities she has had over the years while enlightening people about the importance of countering hate through education.

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Transcript of interview with Irving Kirshbaum by Cheryl Rogers, February 23, 1979

Date

1979-02-23

Description

Interview with Irving Kirshbaum by Cheryl Rogers on February 23, 1979. In this interview, Kirshbaum discusses the Riviera Hotel where he began working in 1955. He also talks about the landscape of the Las Vegas Strip in the 1950s, and the state of gambling, comps, customer service, and dealer training. The interviewer asks about the treatment of minorities at the Riviera, and in Las Vegas generally, and the effect of corporate ownership on casinos.

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Transcript of interview with Dr. Jack Lund Schofield by Suzanne Becker, January 13, 2009

Date

2009-01-13

Description

In the dusty border town of Douglas, Arizona, Dr. Jack Lund Schofield was born in the family home in 1923. Due to the economic woes of the Great Depression, the Schofield family moved several times until 1937—the year that Jack's father took a position as a tungsten broker and moved his family of five children to Nevada. For Jack, who was ready to start high school, the move from Phoenix to Las Vegas with a small population of 5000 was a shock. However, it did not take the gregarious Jack long to make friends at Las Vegas High School. He played sports and was a Golden Glove boxing champion. As Jack's high school years drew to an end, two major events occurred: he met his future wife and World War II began. He proudly highlights his service as a fighter pilot in both WWII and the Korea conflict, his family genealogy, and his devotion to being an excellent educator, businessman, family man, and politician. In 1995, he earned his doctorate in education at the age of 72. His resume includes being an elected official, serving on the Board of Regents and having a middle school named after him. Jack and his wife, Alene, have resided in the John S. Park Neighborhood for over 50 years and describes his affection for the neighborhood and some of the changes that have occurred.

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Transcript of interview with Sherwin "Scoop" Garside by David Anderson, March 25, 1976

Date

1976-03-25

Description

On March 25, 1976, David Anderson interviewed Sherwin “Scoop” Garside (born May 26, 1915 in Tonopah, Nevada) about his life in Southern Nevada. Garside first talks about his father’s business in running an early Nevada newspaper and his personal knowledge of the early mining that took place in different parts of Nevada. He also talks about living in the town of Tonopah, the American Indians who lived in the area, and his experiences from living in Las Vegas. Garside also mentions the beginnings of gambling in Las Vegas, the population boom periods of Las Vegas, and his experiences in witnessing the aboveground atomic testing.

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Transcript of interview with Clark Crocker by Monica Lehman, March 3, 1978

Date

1978-03-03

Description

On March 3, 1978, Monica Lehman interviewed Clark Crocker (born 1920 in Westfield, Massachusetts) about his experiences while living in Nevada. Crocker first talks about his family and educational background before describing his experiences from going to school in both California and Massachusetts. Crocker then describes what he knows about the building of Hoover Dam and later talks about his career as a teacher and school principal. The two also discuss Crocker’s hobbies and volunteer work, including that for the fire department in Pahrump, and they later discuss Crocker’s experiences as both a frogman and navigator for the United States Navy during World War II. The interview concludes with some of Crocker’s thoughts and philosophies on how curriculum should be structured in schools.

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Transcript of interview with Laralee Nelson by Claytee White, April 20, 2010

Date

2010-04-20

Description

Laralee Nelson and her four sisters were born and raised in Provo, Utah. She was raised in a Mormon household, her parents worked at Brigham Young University and she attended BYU She was .nearly thirty years old when she moved to Las Vegas with her husband. The move was the first real move away from her Utah home base. She fondly recalls summers at an archaeological dig in Israel while studying for her undergraduate degree. But these were nothing compared to relocating to Las Vegas. Laralee's mother was a librarian at BYU and an obvious inspiration to her career choice. Once she arrived in Las Vegas, she applied for a cataloging position at UNLV. From 1982 to 2010, it was her first and only position. From that span of years, she witnessed monumental changes in the library. Changes in leadership, a move from the old Dickinson Library to the new Lied Library, and the impact of technology. Laralee's anecdotes, especially one about the professor with the red wagon and another about her father clearing a rocky path on a family trip, reveal core success of a library built to serve the university community.

Text

neo000139-004

Description

Sign animation: Chasing, flashing, oscillating
Notes: The logo cabinets which adorn the entrances on the elevated walkways: The letters start with both rows of text in the off position. The top row flashes on, while the bottom row is dark then the bottom row illuminates, as the top row goes dark. Once the top row flashes off it flashes back on so that both rows of text are briefly illuminated simultaneously before they both go dark and the sequence stars over again. While this is going on the incandescent bulbs which line all of the raceways are chasing each other from left to right on the horizontal planes, while the arched sections chase each other downward. The triangular peaks which radiate around the top of the logo sign, flash on and off in a sequence which chase each other downward. First the top center peak flashes on, then the next sequential triangular channel on both sides illuminate simultaneously, flash off, then the next two in the series illuminate. The resultant effect is a chasing pattern starting from the top. The sister animation is located on almost the exact same design on the porte cochere. I would think the previous smaller sign would be based on the larger porte cochere. The other variance besides obvious size difference is the that the channel letters are filled with incandescent bulbs instead of neon. The animation is a bit simpler as well. The incandescent bulbs oscillate continuously while the triangular pan channels which create the radiating crown, animate. The neon in the channels chase each other as described in the smaller walk way version, while the text continues until the entire text flashes off, then on, off, then begin to animate once again. All of the bulbs, which line the raceways of the exterior edge of the porte cochere, as well as the encrustation of bulbs on the brass bull nose portion, animate in rapid succession. All the raceway bulbs chase each other while the bulbs on the brass portion continually oscillate. Animation continues on the east face of the building with the entrances first. The principle for these two signs is oscillation and chasing. All bulbs on the underside of the entrance, as well as in the logo, oscillate rapidly. All bulbs on the raceways chase each other. Further on the surface of the building as well, the Pepsi cola wall sign is found displaying a very unique form of animation, seen here on the strip. The signage for the Pepsi ad is located on the eastern wall. (Detailed in specific description) The Incandescent bulbs which fill the inside of the text that spells Pepsi, chase each other from left to right, leaving all the bulbs in its path illuminated, as if writing out the word Pepsi. The neon bars located within the tilted bottle of Pepsi are illuminated, and chase each other downward, leaving the bars it its path dark. As this sequence in taking place, the waving tubes of neon illuminate, flashed subtly making the neon appear as soda pouring out of the bottle. As the tubing flows then the vertical neon bars in the cup illuminate one at a time making the cup appear as if it is filling up. The text above each of the painted fires head, flashes back and forth as if talking to each other as well. ESPN ZONE animation: The letters in the vertical blade portion of the ESPN Zone illuminate one at a time, starting from the top. Once the entire phrase is lit, in flashes off then on then off, before restating. The orange and red neon tubing which resides inside the pan channels that represent flames flash on and off in a relaxed manner as if to animate the flickering of the flames. The small incandescent bulbs on the black portions above the main matrix reader board flash on and off subtly.
Sign keywords: Neon; Backlit

Film strip of individuals or Hoover Dam construction, image 006: photographic print

Date

1930 (year approximate) to 1939 (year approximate)

Description

This photograph has three images. The first one (0272_0040) reads, "Early morning on grave-yard shift, day shift coming on, notice lunch boxes. Hardway Johnnie (John Armitage) the graveyard Asst. Super. Coming down to see why they are slow getting to their jobs - that's me right behind him." "The men nicknamed me Hardway Jr. I relayed his orders. He had a hard time walking those 2x12 boards on top of the forms - they did install rails later, as you can see, but didn't weather the rough treatment - (xx) elevator shaft." "I got a lot of learning under John Armitage. He sent me to relieve on so many different jobs. Had clean up crew for three months - also I ran the pours with #5 hi-line until it could reach the dam no more, with the angle it sat. Tied steel on intake towers two nights." "Most fearful job was relief hook tender on the stiffleg. The job was situated on a pad on the upstream face of the dam, about level with the low-mix trusel, with just enough room for two of the 8 yd. buckets - the stiffleg would leave a bucket of mud - pick an empty one - No.6 hi-line would leave and empty one and pick up the empty. The men stood as flat as they could - during the exchange with the bucket down. The men would grab the swinging steel cables in one hand, the 12 pound hook that felt like 50 pounds. Place cable on eye in bucket, then twist hook down and slam in place - no guard rails." The second one (0272_0041) reads "Intake towers growing. The bottom of the picture shows a finished pour - it must cure for 12 hours in the hot weather, and 48 hours, cold weather - 300 ft. down if you step off the end of this panel (see arrow)," as a handwritten inscription. The third one (0272_0042) reads "The morning after my first night of work, with Dickey" (dog).

Image

Allied Arts Council of Southern Nevada Records

Identifier

MS-00187

Abstract

The Allied Arts Council of Southern Nevada (AACSN) Records are comprised of the organizational records of the Allied Arts Council, a Las Vegas, Nevada-based non-profit organization that promoted the arts and cultural life in Southern Nevada from 1971 to 1999. Materials include meeting minutes, financial records, correspondence, membership information, publications, event information, project files, photographs, audio cassettes, VHS, and U-Matic tapes.

Archival Collection