The Fremont East District sign sits near the intersection of Fremont St and Eighth St. Information about the sign is available in the Southern Nevada Neon Survey Sheet.
Site name: Fremont Street (Las Vegas, Nev.)
Site address: Fremont St and 8th St
Sign owner: Downtown Las Vegas and Fremont East District
Sign details: The Fremont East District really formed together in 2002 for a coalition to maintain the vintage Las Vegas feel particularly by bringing out some vintage looking Neon Signs. This coalition became known as the Fremont East Entertainment District (FEED). Since this area is already close to the Fremont Street Experience with foot traffic the 2007 revitalization also was an effort to create pedestrian friendly sidewalks.
Sign condition: 5 - Very good condition
Sign form: Pole mounted signs
Sign-specific description: The two gateway signs are identical in design to welcome drivers and pedestrians into the Fremont Street District. These signs go across all of the lanes of Fremont Street, so there are two poles on the opposite sidewalks and then two curved steel beams connecting the sidewalk poles, and the main logo is on the curved pole portion. The two steel sidewalk beams each have a yellow curved googie style design. Right above the curved yellow design, on top of the sidewalk beams each have a red starburst orbit. In the middle curved beam there are red channeled Fremont Street East in a mid century modern semi-cursive font, with yellow neon tubes within the channeled letters. Underneath the Fremont Street East letters there is the word DISTRICT in the red channeled block letters.
Sign - type of display: Neon
Sign - media: Steel and Plastic
Sign animation: Yellow neon on gateway signs flash
Sign environment: The gateway to Fremont East District from both the East and West end. One sign is at the corner of Las Vegas Blvd. and Fremont an the other is at the intersection of 8th St.
Sign manufacturer: Fluoresco Lighting and Signs
Sign designer: John Lutz
Sign - date of installation: 2007
Sign - thematic influences: This sign really brings back the mid-century modern theme, and the old Vegas theme as well. The starbursts are similar to the one from the Sweetheart Wedding Chapel Sign.
Sign - artistic significance: This sign speaks to the 1950s/1960s mid-century modern design with the starburst orbits and the yellow curved design.
Survey - research locations: Fremont East website, Floresco
Survey - research notes: Floresco Website http://www.fluoresco.com/pages/about/history.php, as well as contact with Gary Grider of Floresco, Las Vegas Today and Tomorrow Website, http://www.vegastodayandtomorrow.com/fremonteast.htm
Surveyor: Emily Fellmer
Survey - date completed: 2017-08-30
Sign keywords: Flashing; Neon; Steel; Plastic; Pole sign

An artist's depiction of Julia Bulette's theft and murder by John Millain. The caption on the front of the card reads: "Julia Bulette; Murdered for her Jewels by John Millain, 1887. J. M hung in 1868." A lengthy description printed on the back of the card reads: "Julia Bulette came to Virginia City while it was still a raw camp, and was soon among its best known figures. Reputedly a French Creole from New Orleans, tall, dark, lithe and witty, she was no ordinary lady of the line. Her secret charities were innumerable, her public services many, and her entertainments memorable for both cuisine and conversation. During the deadly black-water plague of 1861, she made her house into a hospital, nursed the stricken miners, and pawned her belongings to help their families. She was chosen an honorary member of Engine Company Number 1, but, not content with honorary status, attended the fires, worked a stirrup pump, and served refreshments to the Company afterwards. She was not one to seek obscurity or tolerate condescension. In the flush years of the first boom, she paraded C Street daily in a coach with four aces fanned upon the door, and sat nightly in her own box at the opera house, with a sable cape across her shoulders. When the ladies of the upper city sought to confine her activities, she retaliated by crashing their parties and making them her own. As a result, her violent death during the night of January 20, 1867, precipitated a cold war of the sexes. When her funeral procession, long, entirely masculine, and led by a band playing a dead-march, moved out B Street toward Old Flowery Cemetery, the wives in the hill mansions sat behind closed doors and drawn shutters, though even those could not defend them from the sprightly, returning strains of "The Girl I Left Behind Me." And conversely, when John Millain was arrested, some months later, after selling articles recognized as Julie's, his trial by the men was something less than impartial, but he was constantly visited in prison by women who showered him with gifts and tears. That his hanging, in April of 1868, drew the largest crowd in Virginia's history to the hollow north of town where the gallows was erected, the women to the ringside seats and the men to the slopes behind them, was less a tribute to Millain himself than a result of the fact that he was dying as the murderer of Julie Bulette, more nearly a Queen of the Comstock than any of her wealthy "betters" who vied for the title. "Sazarac" Virginia City, Nevada."