Oral history interview with Ronald Simone conducted by Claytee D. White on May 05, 2009 for the All That Jazz Oral History Project. In this interview Ronald Simone discusses his upbringing in Connecticut, moving to Las Vegas, Nevada in September 1960 with his friend Joe Mack, and his career as a jazz musician working at various lounges and showrooms throughout Las Vegas. He also discusses the various famous people he performed for and the July 1989 musicians strike.

Oral history interview with Valerie Johnson conducted by an unknown collector on an unknown date in the 1970s for the Ralph Roske Oral History Project on Early Las Vegas. In this interview Valerie Johnson discusses her career as a trumpet player in the United States Air Force Women's band. Johnson talks about her experiences as a musician, her travels in the military, and the discrimination she and her fellow musicians faced from male military musicians.

Oral history interview with Bruce Anderson conducted by Claytee D. White on October 03, 2007 for the All That Jazz Oral History Project. In this interview, Anderson discusses his career as a jazz musician. He begins by talking about his upbringing in Evansville, Indiana, his early interest in being a musician, his family's involvement with music through their church, learning to play the piano and the clarinet from an early age, completing high school and later enlisting in the United States Air Force, where he was able to grow and extend his skills as an ensemble musician. He describes leaving the armed forces and returning to Indiana, moving soon after he received a job offer in Las Vegas, Nevada in 1973. He continues, talking about the wide range of venues he played, from conventions to high-end nightclubs, and closes by discussing the many different musicians and influences he met throughout his life.

Oral history interview with Robert Shipley conducted by Claytee D. White on October 15, 2018 for the African Americans in Las Vegas: a Collaborative Oral History Project. In this interview, Shipley discusses his early life in Chicago, Illinois and upbringing as a musician. Shipley recalls being the drummer for The Emotions, Natalie Cole, and performing at the Golden Nugget in Las Vegas, Nevada. He talks about the special treatment musicians had, and the respect that Steve Wynn had for performers. Lastly, Shipley remembers performing for Diana Ross, the challenges he faced as an African American musician, and his decision to retire.

Oral history interview with Maynard Sloate conducted by Joyce Moore on June 12, 2007 for the All That Jazz Oral History Project. In this interview, Sloate discusses his early life in Los Angeles, California and his career as a jazz drummer. He remembers performing at the Tropicana, the Union Plaza, and becoming an entertainment director for production shows. Sloate describes the increases in price to attend a show in Las Vegas, and the use of taped music instead of live musicians. Lastly, Sloate talks about the challenges in making a career as a musician.

Oral history interview with Charles T. "Blackie" Hunt conducted by Cork Proctor on June 30, 2003 for the All That Jazz Oral History Project. Hunt shares detailed memories of the many musicians with whom he worked and toured. They played in venues that included Harrisburg, Pennsylvania; Toronto, and Montreal, and eventually were offered a booking at the Sahara Hotel in Las Vegas, Nevada. Hunt discusses jazz sessions that took place and the musicians who sat in on them, and how he and Lorraine eventually decided to quit show business.

Oral history interview with Mike Montano conducted by Lisa Gioia-Acres on September 19, 2008 for the All That Jazz Oral History Project. Montano begins by discussing his mother and father, who met in Hawaii when his father immigrated there from the Philippines, and later moved to Stockton, California during the late 1930s after Montano was born. He describes racial prejudice he has faced as an Asian American, how he developed interest in playing the piano as a child, and his siblings. Montano continues, detailing how he started playing jazz while attending the College of the Pacific and the musicians he played with. He describes first going to Las Vegas, Nevada in 1960 and returning throughout the 1960s as a member of various touring jazz bands. He talks about the other places he performed around the world and the celebrities and prominent musicians he has met. Montano concludes by reflecting on his career as a musician and his life in Las Vegas after moving there permanently in 1974.