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UNLV Libraries Collection of Gambling Related Sheet Music

Identifier

MS-01100

Abstract

The UNLV Libraries Collection of Gambling Related Sheet Music (1890-1987) consists of primarily early 20th century American gambling-related sheet music. This collection is most noteworthy for the covers' bright and colorful imagery, including white gentlemen playing cards, imagery from card and related games, and some with offensive stereotypes and caricatures of African Americans. The material was created by a wide range of designers, composers, and publishers from various places, including New York, New York; Chicago, Illinois; St. Louis, Missouri; Detroit, Michigan; and Williamsport, Pennsylvania. This collection contains illustrations which depict Black and Asian individuals in racist caricatures, photographs of white individuals wearing blackface, and some song titles include derogatory language or racial slurs.

Archival Collection

"Help Nevada Get In The Scrap!" Poster

Identifier

MS-01129

Abstract

"Help Nevada Get In The Scrap!" Poster (approximately 1941-1945) is a single poster produced by the Office of Civilian Defense during World War II as part of the "Victory Home" (V-Home) campaign. The poster outlines what common household items like tin cans, iron and steel scrap, and stockings and rags can be salvaged and sent to war production plants. The poster also lists the five point program of all V-Homes and also includes spaces where households could write the names of their Block Leader, Salvage Chairman, and Air Raid Warden. This poster lists Nellie Cashman of Las Vegas, Nevada as the Block Leader.

Archival Collection

The French Connection event oral history roundtable

Identifier

OH-02619

Abstract

Oral history roundtable interviews with Jerry Jackson, Jillian Hrushowy, Dawnie Sachs, and Trenna Howard moderated by Su Kim Chung on May 17, 2015 for the Las Vegas Women in Gaming and Entertainment Oral History Project. The panel discusses their experiences working in Las Vegas productions including Folies Bergere and Lido de Paris as part of an opening event for the exhibit The French Connection: Lido de Paris and Folies Bergere in Las Vegas.

Archival Collection

Community Conversations oral history panel

Identifier

OH-02650

Abstract

Oral history panel composed of University of Nevada, Las Vegas (UNLV) students Lisa McAllister, Larry Sampson, John Grygo, and Ashley Smith along with community narrators Jerrie Merritt, Geraldine Kirk Hughes, Keith Brantley, and Hannah Brown, moderated by Julia Lee and Claytee White on March 30, 2016 for the African Americans in Las Vegas: A Collaborative Oral History Project. The group discusses working with each other during the collection of oral histories for the project, the value of the interchange for both narrator and interviewer, the value of oral histories as repositories of individual and collective memory, and related stories about their experiences.

Archival Collection

Leva Beckley oral history interviews

Identifier

OH-02878

Abstract

Oral history interviews with Leva Beckley conducted by Bernard Timberg of KLVX Channel 10 on January 20 and 31, 1974. In this interview, Buckley talks of moving to Las Vegas, Nevada with her husband in 1910, setting up her husband's clothing business at the Hotel Nevada, the construction of the family home at 120 South Fourth Street, and the birth of her two children. She discusses raising her children, the various amusements the community offered to young families, and her activities as a charter member of the Mesquite Club. She also responds to questions about changes in the culture of the city, particularly in regard to crime and illegal activities. Finally, she shares family photographs with the interviewer.

Archival Collection

Dan Lubin oral history interview

Identifier

OH-02907

Abstract

Oral history interview with Dan Lubin conducted by David Schwartz on November 30, 2016 for the History of Gaming Oral History Project. In this interview, Lubin, the author of The Essentials of Casino Game Design: From the Cocktail Napkin to the Casino Floor discusses the process of creating successful casino games, the process involved in the game design, and technical and business considerations.

Archival Collection

Barbara Taylor oral history interview

Identifier

OH-03233

Abstract

Oral history interview with Barbara Taylor conducted by Karen Schank on January 9, 2011 for the Nevada State College Undergraduate Oral History Project. In this interview, Taylor talks about her birth in Reno, Nevada, growing up in Minden Valley, Nevada, and moving to Las Vegas, Nevada in 1943. She reflects on her education, her parents careers, and her early marriage before describing the couple's first home in Henderson's "Victory Village." Later, she discusses her own career and what it was like living in Nevada in the 1950s and 1960s.

Archival Collection

Lester Earnest oral history interview

Identifier

OH-03237

Abstract

Oral history interview with Lester Earnest conducted by David Schwartz on August 8, 2017 for the Competitive Video Gaming Oral History Project. In this interview, Earnest discusses the beginning of his career in computing, speaking at length about the military SAGE project the he believes was designed to fail. He then talks at length about his work with the Stanford University Artificial Intelligence Laboratory (SAIL) and the development of the computing environment through the 1960s and 1970s. He also talks about his development of the FINGER protocol and the role of artificial intelligence in the early development of video gaming, as well as various individuals who got their start with SAIL before developing modern computing and software systems.

Archival Collection

Patrice Adams-Fauci oral history interview

Identifier

OH-02060

Abstract

Oral history interview with Patrice Adams-Fauci conducted by Joyce Marshall on June 19, 1996 for the Las Vegas Women in Gaming and Entertainment Oral History Project. In this interview, Adams-Fauci relates how she traveled to the United States with the Bluebell Girls dance troupe in 1960. She continues talking about life as a dancer, how the rules of behavior and comportment differed in Europe, and how strange it was to see racial prejudice in the entertainment industry in the United States. She ends the interview by explaining that dancers had to quit once they married and how she returned to school and became an interior designer.

Archival Collection